The Sailors' Monument in Bergen, Norway

Il monumento ai marinai a Bergen in Norvegia

The Sailors' Monument in Bergen, Norway.
Located in the heart of Bergen, the Sailors' Monument is a tribute to Norway's rich maritime heritage. This impressive monument, designed by sculptor Dyre Vaa and unveiled on 7 June 1950, celebrates the contributions of Norwegian sailors throughout the centuries.
The 7-metre-high monument has a distinctive cubic shape and is located at the northern end of Torgallmenningen, the city's main square. It is adorned with 12 bronze statues and four relief panels, each representing different eras of Norwegian maritime history.
The statues are grouped in four triads facing the cardinal directions, each representing a different era:
West side: Viking Age adventurers, armed with swords and spears.
North side: Modern era sailors (17th and 18th centuries).
East side: 19th century sailors.
South side: 20th century sailors.
The relief panels add narrative depth, intertwining real maritime dangers with mythical and spiritual elements. Scenes depicted include Viking ships, encounters with Native Americans, and more modern images such as whaling scenes.
The Sailors' Monument not only reflects the importance of seafaring in Norwegian history, but also the central role of Bergen as a port city. It is a symbol of national pride and a tribute to the brave men who sailed the seas, contributing to Norway's development and prosperity.
The monument is easily accessible and is a must-see for anyone visiting Bergen. Its central location makes it ideal for an exploratory walk around the city, allowing visitors to immerse themselves in Norway's maritime history and culture.

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Il monumento ai marinai a Bergen in Norvegia

Photo taken with Canon EOS RP and lens Tamron 16-300.

To see all the photos I took in Bergen click here:

Here is where the monument is located:

The Sailors’ Monument in Bergen, Norway – Le monument des marins à Bergen, Norvège – El monumento a los marineros en Bergen, Noruega – O monumento dos marinheiros em Bergen, Noruega – Das Matrosendenkmal in Bergen, Norwegen – Đài tưởng niệm Thủy thủ ở Bergen, Na Uy

The text of the post was written with the help of Copilot, a virtual assistant based on artificial intelligence.
References:
– https://www.tripadvisor.it/Attraction_Review-g190502-d10539988-Reviews-Sailor_s_Monument-Bergen_Hordaland_Western_Norway.html
– https://www.gpsmycity.com/attractions/sailors-monument-30564.html

The large churchyard of Santo Stefano in Lavagna

L'ampio sagrato di Santo Stefano a Lavagna

The large churchyard of Santo Stefano in Lavagna.
The churchyard of the Basilica of Santo Stefano in Lavagna is famous for its beautiful risseu, mosaics made from black and white pebbles arranged in geometric patterns. The basilica itself, located in the town of Lavagna in Liguria, is an imposing structure that dominates the town and the surrounding sea.
The Basilica of Santo Stefano in Lavagna has a fascinating history that dates back many centuries. The first mention of a religious building on the site dates back to the 6th century, although some sources suggest it may be even older. Originally, there was a signal tower for sailors on the site, next to which the first church was built.
Over the centuries, the basilica has undergone numerous changes and restorations. In 1060, it was elevated to a collegiate church and became an important ecclesiastical center under the protection of the Holy See of Rome. The noble Fieschi family, who dominated the region, always had a special regard for the church, considering it a religious reference point of their dominion.
The current structure of the basilica was completed in 1668, with the consecration taking place in 1703. In 1921, Pope Benedict XV elevated the church to the rank of minor basilica.
The basilica is also known for its richly decorated interior and for the churchyard with the characteristic black and white pebble mosaics, typical of the Ligurian tradition.

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L'ampio sagrato di Santo Stefano a Lavagna

Photo taken with Canon EOS RP and lens Canon RF 24-50.

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The collegiate basilica of Santo Stefano is a Catholic place of worship in the municipality of Lavagna, in Piazza Guglielmo Marconi, in the metropolitan city of Genoa. The church is the seat of the parish of the same name of the vicariate of Chiavari-Lavagna of the diocese of Chiavari.
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The churchyard of the church of Santo Stefano a Lavagna – Le cimetière de l’église de Santo Stefano a Lavagna – El cementerio de la iglesia de Santo Stefano a Lavagna – O adro da igreja de Santo Stefano a Lavagna – Der Kirchhof der Kirche Santo Stefano a Lavagna – Sân nhà thờ Santo Stefano a Lavagna – 圣斯特凡诺拉瓦尼亚教堂的墓地 – サント ステファノ ア ラヴァーニャ教会の墓地

The text of the post was written with the help of Copilot, a virtual assistant based on artificial intelligence.
References:
– http://www.comune.lavagna.ge.it/content/chiese-e-monumenti
– https://www.tripadvisor.in/Attraction_Review-g194788-d7785459-Reviews-Basilica_di_Santo_Stefano-Lavagna_Italian_Riviera_Liguria.html

The interior of the church of San Luca in the heart of Genoa

The interior of the Church of San Luca in the heart of Genoa.
In the heart of the historic center of Genoa, the Church of San Luca represents a jewel of the Genoese Baroque. Founded in 1188 by Oberto Spinola, the church was rebuilt in the 17th century, maintaining its historical and artistic charm.
The interior of the Church of San Luca is a riot of art and decoration. The works of Domenico Piola, Filippo Parodi and Giovanni Benedetto Castiglione, known as Grechetto, adorn the walls and altars. Piola, a master of fresco, created vivid and detailed scenes that capture the eye and the imagination.
Among the most significant works is the Adoration of the Shepherds by Grechetto, a masterpiece that illuminates the high altar. The sculptures of Filippo Parodi, including the Immaculate Conception and the Deposed Christ, add a three-dimensional dimension to the beauty of the church.
The interior decoration is an extraordinary example of harmony between architecture, painting and sculpture. The trompe-l’œil techniques used by Anton Maria Haffner create optical illusions that expand the space and add visual depth.
Today, the Church of San Luca continues to be an active place of worship, linked to the noble Spinola family. Every member of the family, wherever they are in the world, maintains a special bond with this church, which represents an important piece of their history and identity.

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Photo taken with Oppo Reno 12.

Here is where the church is located:

The interior of the church has a Greek cross plan with a single nave slightly elongated and ending in a semicircular apse. The marble high altar is the work of Daniello Solaro (1649), also the author of the numerous marble ornaments that enrich the temple. The vaults and walls of the church feature a cycle of frescoes, created in the last decade of the seventeenth century by Domenico Piola with the collaboration of his son Paolo Gerolamo and the quadraturist Antonio Maria Haffner, author of the frames and painted architecture.
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The interior of the church of San Luca in the heart of Genoa – L’intérieur de l’église de San Luca au coeur de Gênes – El interior de la iglesia de San Luca en el corazón de Génova – O interior da igreja de San Luca, no coração de Génova – Das Innere der Kirche San Luca im Herzen von Genua – Nội thất nhà thờ San Luca ở trung tâm Genoa

The text of the post was written with the help of Copilot, a virtual assistant based on artificial intelligence.
References:
– https://www.spinola.it/chiesa-di-san-luca/

The eccentric chimneys of Casa Milà in Barcelona

Gli eccentrici fumaioli di Casa Milà a Barcellona

The eccentric chimneys of Casa Milà in Barcelona.
Casa Milà, also known as La Pedrera, is one of the most iconic buildings in Barcelona, ​​designed by the famous architect Antoni Gaudí. Among its most distinctive features are the eccentric chimneys located on the roof of the building.
The roof of Casa Milà is a true masterpiece of design, with a series of chimneys that look like modern sculptures. These elements are not only decorative, but also functional, as they serve to ventilate the building. Gaudí transformed these technical elements into works of art, using organic shapes and curves that recall nature.
Gaudí was known for his ability to draw inspiration from nature and incorporate natural elements into his works. The chimneys of Casa Milà are no exception: their sinuous shapes and intricate details are reminiscent of rocks sculpted by wind and water. This innovative approach has made Casa Milà a perfect example of modernist architecture.
Visiting the roof of Casa Milà is a unique experience that allows you to admire not only the chimneys, but also a panoramic view of Barcelona. The terrace is open to the public and offers a path that guides visitors through the various sculptures, creating an almost surreal atmosphere.
The eccentric chimneys of Casa Milà are an extraordinary example of Gaudí's ingenuity and his ability to transform functional elements into works of art. A visit to La Pedrera is not complete without a walk on its roof, where architecture and nature merge in an unforgettable experience.

Have you ever visited Casa Milà or Barcelona?
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Gli eccentrici fumaioli di Casa Milà a Barcellona

Photo taken with Canon EOS RP and lens Tamron 16-300.

This is the official website of the house: lapedrera.com.

Here is where the palace is located:

Casa Milà was built between 1906 and 1913 by Antoni Gaudí in Barcelona, ​​Spain, at number 92 Passeig de Gràcia, in the expansion area of ​​Eixample, commissioned by Roser Segimon and Pere Milà.
Casa Milà is located in the heart of the Eixample, a neighborhood that arose in the second half of the 19th century based on a design by Ildefons Cerdà i Sunyer, who resolved the dramatic housing emergencies of the historic neighborhood by building a dense network of wide, perpendicular, uniform streets and large, airy, bright building complexes.
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The eccentric chimneys of Casa Milà in Barcelona – Les cheminées excentriques de la Casa Milà à Barcelone – Las excéntricas chimeneas de la Casa Milà de Barcelona – As excêntricas chaminés da Casa Milà em Barcelona – Die exzentrischen Schornsteine ​​der Casa Milà in Barcelona – Những ống khói lập dị của Casa Milà ở Barcelona

The text of the post was written with the help of Copilot, a virtual assistant based on artificial intelligence.
References:
– https://www.barcelonacheckin.com/it/r/guida_barcellona/articoli/casa-mila-interno-facciata-tetto
– https://visitarebarcellona.com/pedrera-casa-mila/
– https://www.barcellonafacile.it/cosa-vedere/casa-mila-pedrera/

The central portal of the Cathedral of Assisi

Il portale centrale del Duomo di Assisi

The central portal of the Cathedral of Assisi.
Although the most famous church in Assisi is certainly the Basilica of San Francesco d’Assisi, the cathedral of the city is San Rufino.
In this photo you can see the richly decorated central portal.

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Il portale centrale del Duomo di Assisi

Photo taken with Canon EOS RP and lens Canon RF 24-50.

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Here is where the cathedral is located:

The central portal in particular is richly decorated, especially in the multiple ring decorated with reliefs of vine shoots, spirals, allegorical figures and monstrous animals; the lunette hosts Christ enthroned within a shield, between the sun, the moon, the Madonna breastfeeding and Saint Rufino.
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The central portal of the Cathedral of Assisi – Le portail central de la cathédrale d’Assise – El portal central de la Catedral de Asís – O portal central da Catedral de Assis – Das zentrale Portal der Kathedrale von Assisi – Cổng trung tâm của Nhà thờ Assisi

The plaque of Vico dei Griffoni in Genoa

La lapide Vico dei Griffoni a Genova

The plaque in the alley called dei Griffoni in the historic center of Genoa.
Walking through the alleys of the historic center of Genoa I always find something interesting to photograph.
This is a plaque written in Latin and placed at the beginning of Vico Griffoni that can be seen walking along via al Ponte Calvi.

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La lapide Vico dei Griffoni a Genova

Photo taken with Canon EOS RP and lens Canon RF 24-50.

Where is the tombstone located:

In fact, due to missing parts and a deep crack, the text is difficult to decipher:
Facvltas Concessa M.co Philippo Cattan Q . Io Iacob / Collocandi in vitro (…) ine Hvivs Vicvl – / Rastra Ferrea ad Ipsi (…) ingressvm Noctv / Prohibendvm Sit ad Beneplacitvm Ill.m / Magvs. Patrvm Commvnis et cvm Onere / ea Divrnis Temporibvs Aperiendi Habita / Pro Caeteris Relatio (…) ad Decretvm Con / Die 25 Ian: 1686.
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The plaque in the alley called dei Griffoni in the historic center of Genoa – La plaque de Vico appelée dei Griffoni dans le centre historique de Gênes – La placa de Vico llamada dei Griffoni en el centro histórico de Génova – A placa em Vico chamada dei Griffoni no centro histórico de Génova – Die Gedenktafel in Vico namens dei Griffoni im historischen Zentrum von Genua – Tấm bảng ở Vico có tên dei Griffoni ở trung tâm lịch sử của Genoa

The Little Mermaid statue in Copenhagen

La statua della Sirenetta a Copenaghen

The Little Mermaid statue in Copenhagen.
The Little Mermaid statue, located at the entrance to the port of Copenhagen, is one of the most iconic symbols of the Danish capital. This bronze sculpture, 1.25 meters high and weighing 175 kg, represents the protagonist of the famous fairy tale by Hans Christian Andersen, “The Little Mermaid”.
The statue was commissioned in 1909 by Carl Jacobsen, son of the founder of Carlsberg beer, after being fascinated by a ballet based on Andersen's fairy tale. The work was created by the sculptor Edvard Eriksen and inaugurated on August 23, 1913. Eriksen used his wife Eline as a model for the body of the statue, while the face was inspired by the dancer Ellen Price.
Since its inauguration, the Little Mermaid has become one of the most visited tourist attractions in Copenhagen. Its picturesque location overlooking the Baltic Sea attracts millions of visitors every year, eager to see this melancholic and fascinating figure up close.
Over the years, the Little Mermaid statue has been the target of numerous acts of vandalism. It has been beheaded several times, daubed with paint and even blown up with a small charge of dynamite. Despite these incidents, the statue has always been restored and continues to represent a symbol of resilience and beauty for the city of Copenhagen.
The Little Mermaid's fame has inspired numerous copies around the world. A replica can be found in Solvang, California, while other versions of the statue can be seen in New Zealand, Thailand and even on the island of Ischia, Italy.
Visiting the Little Mermaid statue is a must-see for anyone visiting Copenhagen. This timeless symbol of the city not only tells a fascinating story, but also represents Danish culture and art around the world.

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Photo taken with Canon EOS RP and lens Tamron 16-300.

Click here to see all the photos of the Danish capital.
foto gallery

Here's where the statue is located:

The Little Mermaid statue is a 1.25 m tall, 175 kg heavy bronze sculpture located at the entrance to the harbour of Copenhagen and is one of the symbols of the Danish capital. It depicts the main character, the Little Mermaid, from one of Hans Christian Andersen's most famous fairy tales, The Little Mermaid. The statue was commissioned in 1909 by Carl Jacobsen, son of the founder of Carlsberg, who had been fascinated by Hans Beck's adaptation of the fairy tale into a ballet. It was created by the sculptor Edvard Eriksen (1876-1959) and first shown to the public on 23 August 1913. Eriksen used his wife Eline as a model.
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The Little Mermaid statue in Copenhagen – La statue de la Petite Sirène à Copenhague – La estatua de la Sirenita en Copenhague – A estátua da Pequena Sereia em Copenhaga – Die Statue der kleinen Meerjungfrau in Kopenhagen – Tượng nàng tiên cá ở Copenhagen

The text of the post was written with the help of Copilot, a virtual assistant based on artificial intelligence.
References:
– https://www.scopricopenaghen.com/sirenetta

The mine-shaped monument in Bergen

Il monumento a forma di mina detto Minebøssen a Bergen

The Minebøssen Monument in Bergen.
When visiting the picturesque Bryggen district in Bergen, Norway, be sure to stop by the Minebøssen Monument. This striking monument, shaped like a naval mine, has stood on the embankment since 1921 and is a tribute to the Norwegian sailors who died during World War I.
The Minebøssen Monument was created by sculptor Sauce Madsen and serves a dual purpose: not only does it commemorate the fallen sailors, but it is also a charitable work. In fact, the monument was designed to raise money for the families of the victims, demonstrating a strong sense of solidarity and community.
Located directly across from the famous Bryggen district, the Minebøssen Monument is a point of reflection and remembrance. Its unique shape and profound meaning make it a must-see for anyone who wants to better understand Bergen's maritime history and the sacrifice of its sailors.
As you stroll along the pier, take a moment to look closely at the monument and reflect on its meaning. It is a place that invites contemplation and respect for those who gave their lives at sea.

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Il monumento a forma di mina detto Minebøssen a Bergen

Photo taken with Honor 20.

To see all the photos I took in Bergen click here

Where is the monument located:

The mine-shaped monument called Minebøssen in Bergen – Le monument en forme de mine appelé Minebøssen à Bergen – El monumento en forma de mina llamado Minebøssen en Bergen – O monumento em forma de mina chamado Minebøssen em Bergen – Das minenförmige Denkmal namens Minebøssen in Bergen – Tượng đài hình mỏ có tên Minebøssen ở Bergen

The text of the post was written with the help of Copilot, a virtual assistant based on artificial intelligence.
References:
– https://www.tripadvisor.it/Attraction_Review-g190502-d15322142-Reviews-Minebossen-Bergen_Hordaland_Western_Norway.html
– https://it.wikipedia.org/wiki/Bryggen

The Town Hall of Montefalco in Umbria

Il Palazzo Comunale di Montefalco in Umbria

The Town Hall of Montefalco in Umbria.
In the middle of the village is the main square dominated by the thirteenth-century Town Hall.

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Il Palazzo Comunale di Montefalco in Umbria

Photo taken with Canon EOS RP and lens Canon RF 24-50.

To see all the photos I took in the village click here:

Here is where Montefalco is located:

In the Piazza del Comune, which is almost exactly circular, stands the Palazzo Comunale, formerly called Palazzo del Popolo.
Built in 1270 with very small dimensions, it was later expanded on the entire left side during the 15th century, when it was expanded with a portico with octagonal pillars, finished with capitals with large acanthus leaves: above the Renaissance loggia stands a large terrace that dominates the square. The façade along Corso Mameli preserves a beautiful testimony of the 13th-century construction: the elegant mullioned window with a twisted column.
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The Town Hall of Montefalco in Umbria – La mairie de Montefalco en Ombrie – El Ayuntamiento de Montefalco en Umbría – A Câmara Municipal de Montefalco na Úmbria – Das Rathaus von Montefalco in Umbrien – Tòa thị chính Montefalco ở Umbria

The statues on the facade of St. Peter's in Rome

Le statue della facciata di San Pietro a Roma

The statues on the facade of St. Peter's in Rome.
The most important Basilica of the Catholic Church has 13 statues and a clock on its facade.
I'm not going to copy what you can easily find online, I'll leave you the photo!

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Le statue della facciata di San Pietro a Roma

Photo taken with Canon EOS RP and lens Canon RF 24-50.

To see all the photos I took in Rome click here:
foto gallery

Here is where the basilica is located:

At the top are the statues, some over 5.7 m high, of Jesus, John the Baptist and eleven of the twelve apostles (Saint Peter is missing). On the sides of the same are two clocks made in 1785 by Giuseppe Valadier, the clock on the left, called Oltremontano, indicates the real time, the one based on the time zone, while the one on the right, called Italian, indicates the solar Italic time with the count starting at sunset of each day and the completion of the twenty-fourth hour at the following sunset; furthermore, another difference, the one on the left has the two classic hands of the hours and minutes while the one on the right has a single hand.
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The statues of the facade of San Pietro in Rome – Les statues de la façade de San Pietro à Rome – Las estatuas de la fachada de San Pietro en Roma – As estátuas da fachada de San Pietro em Roma – Die Statuen der Fassade von San Pietro in Rom – Những bức tượng ở mặt tiền của San Pietro ở Rome