Lucadea.com - Tag: annunziata

27 July 2026

Portobello on Easter Monday by the sea

Portobello nella Baia del Silenzio a Sestri Levante durante Pasquetta con mare e case colorate

Portobello on Easter Monday by the sea.
Even without a perfect sunny day, the Bay of Silence in Sestri Levante keeps its charm and remains one of the most recognizable views of Liguria. This photograph of Portobello on Easter Monday was taken in 2016, during a walk along the coast where the colourful houses, the small beach and the calm sea created a quieter atmosphere than usual.
Easter Monday is traditionally a day for outdoor trips and short journeys, but the weather does not always follow our plans. That day in Sestri Levante was not one of the brightest, yet the softer atmosphere gave the photograph a different character. Sometimes a less perfect sky helps reveal another side of a place, making it feel more authentic and peaceful.
I took this photograph myself during a walk around Portobello, in the famous Bay of Silence, trying to capture not only the view but also the feeling of being there. The beauty of this place does not depend only on summer colours or clear skies. The relationship between the buildings, the beach and the protected shape of the bay creates a unique atmosphere throughout the year.
The Bay of Silence is located in Sestri Levante, Liguria, Italy, in the Metropolitan City of Genoa, and it is one of the most photographed places on the Ligurian Riviera. Portobello is the name commonly associated with this beautiful waterfront area, which has become one of the main places worth seeing in Sestri Levante.
One interesting detail about the Bay of Silence is its name, which reflects the quiet and sheltered character of this small inlet. It offers a different experience compared with the more open Bay of Fables, located on the opposite side of the Sestri Levante peninsula.
On my blog I have shared other photographs of Sestri Levante and the Ligurian coast, because this area always offers new perspectives depending on the season, the light and the weather conditions. As with many other seaside images I have published, this photograph shows that atmosphere is often as important as the view itself.
This image of Portobello on Easter Monday 2016 represents a simple memory: a walk by the sea, a familiar place and the discovery that some locations keep their beauty even when the conditions are not perfect.

Have you ever photographed a famous place on a grey day and found that it had a special atmosphere? Add a comment or go to the bottom of the site to read what other visitors have written.

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13 July 2026

Fisherman statue from the sea in Sestri Levante

The fisherman statue in Sestri Levante photographed from the sea in the Bay of Silence, a unique and unusual perspective.

Fisherman statue from the sea in Sestri Levante.
With the water just below my chest and the GoPro ready, I was trying to frame the Bay of Silence in Sestri Levante from a different perspective. The fisherman statue from the sea in Sestri Levante was right in front of me, but seeing it from inside the water completely changed the feeling of the scene. Photographing the fisherman statue in the Bay of Silence from the sea gave me a new way to look at one of the most recognizable spots in town.
Last summer I experimented a bit using a dome for the GoPro, an accessory that allows you to split the image between above and below the water. It sounds simple, but it really isn’t. Waves, reflections, and constant movement make everything more complicated than expected. Out of about a hundred shots, only a couple came out the way I wanted, and that’s probably why I like them so much.
The fisherman statue from the sea in Sestri Levante looks very different compared to the usual photos taken from the beach or the promenade. From the water level, with rocks just breaking the surface in the foreground, the composition becomes more dynamic. In the background, you can clearly recognize the former Annunziata convent, closing the bay with its distinctive shape.
Sestri Levante, in Liguria, Italy, is a place I know well, but it still manages to surprise me when I change perspective. The Bay of Silence is one of the most searched places if you are wondering what to see in Sestri Levante, but experiencing it from the water offers something completely different.
A small curiosity about the fisherman statue: it is a bronze sculpture that represents the strong connection between the town and the sea, a simple but meaningful symbol for locals.
I enjoy this kind of photography because it requires patience and a bit of luck. You cannot just press the shutter; you need to wait for the right moment, when the water settles and the frame aligns. In other posts on lucadea.com I have shared views of the Bay of Silence from land, focusing on colors and reflections, but here the water itself becomes part of the composition.
In the end, what stays with me is the feeling of seeing a familiar place in a completely new way. That is what I keep looking for every time I go back to photograph this bay.

Have you ever seen a place you know well from a completely new perspective? Add a comment or go to the bottom of the site to read what other visitors have written.

Photo taken with GoPro Hero 10 Black and Telesin Dome Port.

Here are also a couple of videos taken from the water:

Videos recorded with Gopro Hero 10 Black and Telesin Dome Port.

Fisherman Statue from the sea in Sestri Levante – Statue du Pêcheur depuis la mer à Sestri Levante – Estatua del Pescador desde el mar en Sestri Levante – Estátua do Pescador vista do mar em Sestri Levante – Fischerstatue vom Meer in Sestri Levante – Tượng người đánh cá nhìn từ biển ở Sestri Levante – 从海中看到的塞斯特里莱万特渔夫雕像 – 海から見たセストリ・レヴァンテの漁師像

The text of this post was written with the help of ChatGPT, a language model from OpenAI.

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31 August 202316 August 2026

Eliska’s statue by the sea in Sestri Levante

La statua di donna di Lustig che era a Sestri Levante

Eliska’s statue by the sea in Sestri Levante.
On the terrace of the former Annunziata convent, with the sea of Sestri Levante directly in front of it, a female figure appeared for a few months as if she were quietly looking out over the bay. It was a sculpture by Leonardo Lustig, an artwork I had the chance to photograph while it was temporarily displayed in this particular corner of my town.
Its position immediately caught my attention. The woman, named Eliska, was leaning towards the sea and seemed to have a direct relationship with the surrounding landscape. It was therefore not simply a statue placed in a square or garden, but an artwork whose character changed because of the setting in which it had been installed.
I know this part of Sestri Levante quite well, and the Annunziata terrace is one of those places where the relationship between the town and the sea becomes especially clear. Photographing the statue therefore also meant including something of its surroundings and allowing the location itself to become part of the image.
Leonardo Lustig is a Ligurian sculptor whose work includes sculptures designed to interact with urban and landscape settings. For this photograph I wanted to preserve precisely that connection between the artwork and Sestri Levante, because that is what made Eliska’s temporary presence particularly interesting to me.
I took this photograph myself while the statue was standing on the terrace of the former Annunziata convent. I like remembering that detail because temporary installations have something special about them. They can become part of a familiar landscape for a relatively short time and then disappear, leaving photographs behind as a record of their presence.
If you are looking for what to see in Sestri Levante beyond its best-known bays, details like this can also reveal a less familiar side of the town. The Bay of Silence and the Bay of Fables naturally attract most of the attention, but walking around and looking carefully can also reveal artworks and temporary installations that change the character of a place for a while.
That was exactly what interested me about Eliska. The female figure did not seem to compete with the surroundings but almost to accompany them. Her position towards the water made it natural to look first at the sculpture and then immediately towards the view in front of her.
One small curiosity concerns the setting itself. The former Annunziata convent stands on the Sestri Levante peninsula, between the Bay of Silence and the Bay of Fables. Its position makes it particularly interesting for photography because the sea and the historic character of the town come together very closely.
For anyone interested in the artist’s work, I had also included his website in the original article: Leonardo Lustig. I am keeping that reference here because it was part of the original content and provides a direct connection between the photograph and the sculptor who created the artwork.
What interests me most about this image today, however, is the temporary nature of the sculpture. When you photograph a permanent monument, you can usually expect to find it in the same place years later. A sculpture displayed for only a few months is different. The photograph becomes a record of how that particular place looked at a specific moment.
This is something I often find in the photographs I have taken around Sestri Levante. A familiar town is never completely still. A temporary installation, a change in the streetscape or simply a detail I had never noticed before can alter a scene I have known for years.
In this case, Eliska made the Annunziata terrace even more distinctive. The sculpture, the sea and the architecture of the former convent came together to create an image in which it was difficult to separate the artwork from its surroundings.
Other stories on my photo blog about Sestri Levante follow a similar approach, looking for details that are less obvious than the town’s most familiar views. This photograph belongs to that same way of looking, but with an artistic presence that fortunately remained long enough for me to capture it with my camera.
Looking at the photograph now, I think that is what gives it its value. It is not only a picture of a sculpture, but also a memory of Eliska looking towards the sea from the Annunziata terrace.

Do you remember seeing this statue in Sestri Levante? Add a comment or go to the bottom of the site to read what other visitors have written.

Photos taken with Canon EOS M100 and lens Canon EF-S 10-18.

30 March 20238 August 2026

The former Annunziata convent in Sestri Levante

L'ex Convento dell'Annunziata in Baia del Silenzio a Sestri

The former Annunziata convent in Sestri Levante.
Among the places worth seeing in Sestri Levante, this building overlooking the Bay of Silence is one of the subjects I most enjoy photographing when I have my telephoto lens with me. Its position, in one of the most recognizable corners of Sestri Levante, Liguria, Italy, makes it particularly suitable for different viewpoints, especially when I want to isolate details rather than photograph the whole bay.
The former Annunziata convent has a distinctive presence within the Bay of Silence. It is not simply a building standing beside the sea, but a place with a history connected to religious life and to the different uses the complex has had over time. Today the structure is also used for activities and events that are very different from its original purpose, but when I look at it from across the bay, it is mainly the relationship between the building and its surroundings that catches my attention.
One reason it has become one of my favorite subjects in the Bay of Silence is the way it changes when photographed with a telephoto lens. Instead of taking in the entire panorama, I can concentrate on the building and the elements immediately around it, creating a much tighter composition. I enjoy this approach because it allows me to look at a very familiar view in a slightly different way.
This photograph came from one of those moments when I had my telephoto lens with me. In a bay as recognizable as this one, it is easy to look for the wide view containing the sea, the beach and the colorful buildings. I often find myself doing the opposite, choosing one particular subject and trying to understand how it can work as a photograph on its own. The former Annunziata is especially well suited to that kind of observation.
The building was once a Dominican convent, and its history also includes its use as a place where young people with health problems could stay, benefiting from the sea air and the climate. I find this detail particularly interesting because it gives the building another dimension beyond its architecture. Behind those walls there was also a part of the social history of the place.
The Bay of Silence is probably the image most immediately associated with Sestri Levante, but that is precisely why I enjoy searching within this familiar landscape for subjects that can be photographed in a more personal way. The former convent works well both as part of a wide view of the bay and as a tighter composition in which the building almost becomes a small landscape of its own.
If you are visiting Sestri Levante and looking for things worth seeing, the Annunziata is interesting partly because of its relationship with the Bay of Silence. You do not necessarily need to enter the building to appreciate its presence. Seen from the bay, it already helps define the character of this part of the peninsula.
I also like the fact that this subject keeps returning in my photographs. Some places simply do not stop attracting my attention because I have photographed them before. Changing the lens, the distance or the viewpoint can be enough to make a familiar scene suggest a completely different image.
That is something I have also experienced in other photographs from Liguria and its seaside towns. Rather than always looking for the most obvious view, I often prefer to stop at a detail or a building I already know and try to see it differently. The former Annunziata has gradually become one of those recurring subjects in my photographs of the bay.
In this image, that is really what I wanted to follow. I had my telephoto lens with me, I was looking at one of the subjects I particularly enjoy photographing, and once again I tried to find a personal way of framing it. The photograph is not meant to be a complete panorama of the Bay of Silence. It is simply another way of looking at this corner of Sestri Levante.
This also connects naturally with other posts on my site where I have photographed the Ligurian coast from different distances and viewpoints. I like creating that continuity between images because the same place can reveal different details depending on how closely I choose to look.
If you are looking for a place worth seeing in Sestri Levante, the former Annunziata is one of those buildings that becomes especially interesting when viewed as part of the bay rather than as an isolated monument. For me, however, its greatest appeal remains photographic: it is a familiar subject that still gives me reasons to take out the telephoto lens and try again.

What is your favorite subject to photograph in the Bay of Silence? Add a comment or go to the bottom of the site to read what other visitors have written.

Photo taken with Canon EOS M100 and lens Tamron 16-300.

Here is where the Ex Convento is located:

The original convent was built in 1469 by the Dominican Fathers, who had been based in the Genoese complex of Santa Maria di Castello since 1442. The structure is located on the very tip of the Sestri Levante peninsula, overlooking the sea on three sides: two towards the Bay of Silence and one towards the open sea of the Gulf of Tigullio.
Continue and learn more at Wikipedia

29 December 202130 January 2026

The Annunziata of Sestri seen from Ciappa du Lu

Il Convento dell'Annunziata di Sestri Levante visto dalla Ciappa du Lu

The Convent of the Annunziata in Sestri Levante seen from Ciappa du Lu.
When I visited Ciappa du Lu (the enormous flat rock between Sestri and Riva), I took countless photos of my town and the Bay of Silence, knowing that it was a difficult view for me to replicate.
In this shot, for example, you can clearly see the former Convent of the Annunziata (the building at the entrance to the bay) and the houses behind it.

Do you like this shot?
Add a comment or go to the bottom of the site to read what other visitors have written.

Photo taken with Canon EOS M100 and lens Tamron 16-300.

The Convent of the Annunziata in Sestri Levante seen from the Ciappa du Lu – Le couvent de l’Annunziata à Sestri Levante vu de la Ciappa du Lu – O Convento da Anunciação em Sestri Levante visto de Ciappa du Lu – El Convento de la Anunciación en Sestri Levante visto desde Ciappa du Lu – Das Kloster der Annunziata in Sestri Levante von der Ciappa du Lu . aus gesehen – Tu viện Annunziata ở Sestri Levante nhìn từ Ciappa du Lu – 从 Ciappa du Lu 看到的 Sestri Levante 的报喜修道院 – チャッパデュルーから見たセストリレバンテの受胎告知修道院