Lucadea.com - Tag: florence

18 August 2026

The Main Altar of Fiesole Cathedral

Altare maggiore e abside affrescata del Duomo di Fiesole, sulle colline vicino a Firenze

The Main Altar of Fiesole Cathedral.
Inside the Cathedral of San Romolo, in the hills above Florence, I was immediately struck by the contrast between the rather austere interior and the richer presence of the main altar and the frescoed apse. This is the detail I wanted to capture with my camera.
Fiesole is only a few kilometres from Florence, but climbing into the hills quickly creates a different feeling. In this ancient Tuscan town I found a quieter dimension than the better-known centre of Florence, and the cathedral is one of the most important landmarks of the village.
The photograph shows one of the most visually significant parts of the church: the main altar in front of the apse, with its decorations and frescoes drawing the eye towards the end of the nave. The interior of San Romolo Cathedral is quite restrained, almost austere in places, and this makes the decorative elements around the altar stand out even more.
If you are wondering what to see in Fiesole, the cathedral is certainly one of the places I would include. Not only because of its religious importance, but also because it offers a glimpse into the history of a town that can easily be overshadowed by the much more famous Florence nearby.
Looking at this image, what I like most is the way the architecture guides the eye towards the apse. The altar becomes the visual centre of the composition, while the surrounding structure seems to frame it naturally. When I took the photograph, I wanted to preserve this relationship rather than isolate a single decorative detail.
The Cathedral of San Romolo has very ancient origins and has undergone several alterations and transformations over the centuries. One small curiosity is that its present appearance contains elements from different periods, reflecting the changes the building experienced throughout its long history. Looking carefully at the architecture, it is possible to sense that several generations have contributed to the appearance of the church we see today.
Fiesole, in Tuscany, within the Metropolitan City of Florence, is often considered mainly in relation to the nearby capital of the region. Yet the town has a strong historical identity of its own and preserves evidence of a past that developed alongside, and in some respects before, the better-known history of Florence.
That is one of the things I enjoy when photographing places that are close to famous destinations but have a character of their own. A visit to Fiesole can take you away from the usual Florence itinerary for a while, without actually taking you far from the city. The landscape, architecture and atmosphere change surprisingly quickly as you climb into the hills.
The interior of the cathedral stayed with me precisely because of its simplicity. It is not a church that tries to overwhelm the visitor with decoration at every turn, and perhaps that is why the main altar and the frescoed apse have such a strong visual presence. My attention was drawn to this particular view, and I preferred to preserve that impression in a photograph rather than turn the post into a detailed description of the entire building.
As with other photographs of churches and cathedrals I have shared on the blog, this image comes from the same personal approach: looking for the detail or viewpoint that stays with me after a visit. I have previously written about other religious interiors encountered during my travels, and this photograph from Fiesole naturally continues that thread.
Looking back at the image, I still like the balance between the severe character of the architecture and the richer decoration concentrated around the altar. It is probably something that becomes even clearer when standing inside the cathedral, with the nave leading the eye naturally towards the apse.

If you know Florence already, have you ever climbed up to Fiesole to discover this quieter side of Tuscan history and art? Add a comment or go to the bottom of the site to read what other visitors have written.

Photo taken with a Canon EOS M100 camera and Canon EF-M 11-22 lens.

To see all the photos taken in the Cathedral, click here:

Here is where the cathedral is located:

Add one comment to this article or read here what other visitors have written.

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7 August 2026

A detail of Florence Cathedral

Lunetta sopra il portone principale del Duomo di Firenze con dettagli decorativi della facciata in marmo

A detail of Florence Cathedral.
Walking through the historic center of Florence, Tuscany, Italy, it is almost impossible not to stop in front of Santa Maria del Fiore, one of the city’s most recognizable landmarks. If you are wondering what to see in Florence, the cathedral naturally deserves a place at the top of the list, but this time my attention was not on the entire façade. I chose instead to focus on the lunette above the main entrance.
This is exactly the kind of detail I enjoy looking for when photographing famous monuments. The overall view of Florence Cathedral has been captured countless times, while moving closer to a single part of the façade can reveal details that are easily overlooked. I wanted to capture this small section of Santa Maria del Fiore with my camera and give it the attention it deserves on its own.
The façade immediately stands out because of its combination of white, green and red marble, a color scheme that has become an essential part of the visual identity of Florence Cathedral. Looking more closely, however, it is not only the colors that catch the eye. The façade is filled with shapes, frames, sculptures, mosaics and ornamental details that work together to create an extraordinarily rich composition.
The lunette above the entrance is one small part of this larger decorative system. Photographing it means temporarily leaving aside the monumental scale of the cathedral and concentrating on a much smaller area, almost as if I were looking at an individual work of art inside a museum.
Florence, in the heart of Tuscany, is a city where it is remarkably easy to walk past a masterpiece without having time to notice every detail. The Santa Maria del Fiore complex, with the cathedral, Giotto’s Bell Tower and the Baptistery of Saint John, brings an enormous amount of art and history together within a relatively compact area.
A brief historical detail is worth mentioning: the façade we see today is not the original medieval façade. The present design was created during the second half of the nineteenth century and completed toward the end of that century, after the earlier unfinished façade had been removed.
This photograph also connects with the other images I have shared from Florence and with my previous photographs of details from the cathedral complex. After photographing Giotto’s Bell Tower and other elements around the Duomo, I find that returning to smaller architectural details offers a different way of telling the story of the same place.

Which detail of Florence Cathedral would you have photographed? Add a comment or go to the bottom of the site to read what other visitors have written.

This is the church’s official website: duomo.firenze.it.

To see all the photos I took in the beautiful Tuscan city, click here:

The Metropolitan Cathedral of Santa Maria del Fiore—commonly known as the Florence Cathedral—is the city’s main church, a symbol of Florence, and one of the most famous in Italy. Upon its completion in the 15th century, it was the largest church in the world; today, it is considered the third-largest in Europe, following St. Peter’s in Rome and Milan Cathedral. It stands on the foundations of Florence’s earlier cathedral, the Church of Santa Reparata, on a site that has hosted places of worship since Roman times.
Read more on Wikipedia

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7 August 2026

Giotto’s Bell Tower in Florence

Campanile di Giotto a Firenze fotografato in HDR con dettagli del marmo bianco verde e rosso

Giotto’s Bell Tower in Florence.
There is probably no need to explain what is shown in this photograph, as it represents one of the most iconic landmarks of Florence. For those who may not recognize it, this is the beautiful bell tower of the Cathedral of Santa Maria del Fiore, designed by Giotto and completed in the 14th century.
I took this picture while walking through the historic center of Florence, aiming to highlight the architectural details and the rich colors of the monument. In this case, I used HDR photography, a technique that enhances both light and shadow, bringing out the textures and geometric decorations of the structure.
The bell tower is one of the finest examples of Italian Gothic architecture. What immediately stands out is the richness of its surfaces, decorated with white, green and red marble that creates a striking visual harmony. Every side of the tower is carefully designed, with panels, niches and geometric patterns that reflect the artistic style of the period.
Florence, the capital of Tuscany, Italy, is a city where every corner is filled with history and art. The cathedral complex, including the church, the bell tower and the baptistery, is one of the most important cultural landmarks in Italy and attracts millions of visitors each year.
A short note about Giotto: he is considered one of the greatest artists of the Middle Ages and played a crucial role in shaping the development of Western art, both in painting and architecture.
This photograph reflects my approach to capturing famous landmarks while still trying to add a personal perspective. Even when photographing such a well-known subject, the choice of light, framing and technique can make a real difference.
If you are visiting Florence and wondering what to see, Giotto’s Bell Tower is definitely a must-see.

Have you ever tried to photograph a famous landmark in a unique way? Add a comment or go to the bottom of the site to read what other visitors have written.

Photo taken with a Canon 600D camera.

Giotto’s Campanile is the bell tower of Santa Maria del Fiore—Florence’s cathedral—and is located in Piazza del Duomo. Its foundations were excavated around 1298 at the start of the new cathedral’s construction, when Arnolfo di Cambio was the master builder. In 1334, Giotto di Bondone took over the role of master builder. In his *Life of Giotto*, Vasari recounts his arrival—”on July 9, 1334, at the campanile of S. Maria del Fiore”—noting that he immediately began working on the construction of the tower’s first level while showing no interest—according to Giovanni Villani—in the basilica’s construction site.
Read more on Wikipedia

30 July 202630 July 2026

Neptune Fountain in Signoria Square, Florence

Fontana del Nettuno in piazza della Signoria a Firenze con statue in marmo e pietra

Neptune Fountain in Signoria Square, Florence.
During a walk through the heart of Florence, I wanted to dedicate a photograph to one of the city’s best-known monuments: the Neptune Fountain, standing in the open space of Signoria Square beside Palazzo Vecchio. In this image, I focused especially on the materials and small details of the fountain, elements that are often overlooked because of its fame.
The Neptune Fountain in Signoria Square, Florence, Tuscany, Italy, is one of the artworks that best represents the connection between art and history in the Renaissance city. I photographed this monument while observing the contrast between the different types of stone and marble used to create a rich composition, where every surface contributes to the final appearance of the work.
When you arrive in this area of Florence, your attention is immediately drawn to the historic buildings surrounding the square, but by stopping in front of the fountain for a while, many interesting details appear: the sculptures, the decorations, the natural colours of the materials and the way light changes the perception of the surfaces.
My photograph comes from this attention to details. Even a very famous monument can be told in a different way, choosing not only to photograph it as a symbol of the city but also to search for the elements that make it unique. In this case, the variety of stones and marbles captured my attention because it creates a balance between sculptural strength and elegance.
If you are visiting Florence, Signoria Square is one of the most interesting places to see in the historic centre. Here you can find some of the city’s most representative artworks, and every corner tells the story of the relationship between political power, art and culture that shaped Florence over the centuries.
A historical curiosity about the fountain is that it was created by Bartolomeo Ammannati in the sixteenth century after being commissioned by Cosimo I de’ Medici. The figure of Neptune, carved in Carrara marble, also had a symbolic meaning connected with Florence’s ambitions at sea and the power of the Medici family.
I wanted to capture this detail with my camera because materials, textures and small differences in surfaces are often what make an artwork truly interesting. Photography allows me to get closer to details that can easily be missed during a quick visit.
This image connects with other stories on my blog dedicated to artistic details of Italian cities, where I often try to tell famous places through less obvious elements.

Have you ever stopped to observe the different materials used in historic Italian fountains? Add a comment or go to the bottom of the site to read what other visitors have written.

Photos taken with a Canon EOS M100 camera and Canon EF-M 11-22 lens.

To see all the photos I took in the beautiful Tuscan town, click here:

Numerous sculptors participated, adopting an approach characterized by the use of materials differing in nature and color—a style favored by the patron. However, the result drew harsh criticism immediately upon its completion; today, it is viewed as an emblematic example of the renewal of Mannerist sculpture in the mid-16th century, standing in opposition to the prevailing Michelangelesque academicism.
Read more on Wikipedia

30 July 2026

Ponte Vecchio from Lungarno degli Archibusieri

Ponte Vecchio a Firenze visto dal Lungarno degli Archibusieri con le arcate sull’Arno

Ponte Vecchio from Lungarno degli Archibusieri.
When I looked for a different viewpoint to photograph one of Florence’s most famous symbols, I decided to walk along the Arno River until reaching the end of Lungarno degli Archibusieri. From this position, Ponte Vecchio appears with its three arches and with the small covered passage on the right side leading towards the Uffizi area.
Ponte Vecchio from Lungarno degli Archibusieri in Florence, Tuscany, Italy, offers a different perspective compared with the most common views of this historic bridge. I took this photograph while searching for a composition that could show the connection between the bridge, the Arno River and the historic buildings surrounding it.
Photographing such a famous place is always a challenge. Ponte Vecchio has been captured countless times and is one of the strongest symbols of Florence, but this is exactly what makes it interesting to photograph. Looking for a new angle allows me to notice details that can easily be missed. In this image, I was attracted by the way the bridge fits into the urban landscape, with its arches supporting a part of the city above the water.
Lungarno degli Archibusieri is a particularly fascinating area because it creates a connection between Ponte Vecchio and the Uffizi through a covered walkway. Walking here helps you understand the relationship between Florence’s historic buildings and the river, which has always played an important role in the development of the city.
If you are visiting Florence, Ponte Vecchio is one of the most interesting places to see, but observing it from different viewpoints can reveal details beyond the classic image. The bridge is not only famous for its shops and the Vasari Corridor; its structure, arches and relationship with the Arno are also part of its identity.
A historical curiosity about Ponte Vecchio is that it was the only bridge in Florence not destroyed during the Second World War. In 1944, retreating German forces destroyed the other bridges of the city, while Ponte Vecchio was spared, probably because of its historical and symbolic importance.
I wanted to capture this view with my camera because even a very famous landmark can still offer new perspectives. For me, travel photography is not only about recording places, but also about finding a personal way to see them.
This photograph connects with other stories on my blog dedicated to Florence and its most representative landmarks, because I often return to famous locations looking for different details and viewpoints.

Have you ever photographed a famous place by choosing a less common perspective? Add a comment or go to the bottom of the site to read what other visitors have written.

Photo taken with a Canon EOS M100 camera and a Canon EF-S 10-18 lens.

To see all the photos I took in this beautiful Tuscan town, click here:

The Ponte Vecchio is a bridge spanning the Arno River in Florence, located approximately 150 meters downstream from the point where the river’s channel is naturally at its narrowest within the city, in the stretch upstream of the Cascine.
Read more on Wikipedia

30 July 202630 July 2026

Ponte Vecchio in Florence over the Arno River

Ponte Vecchio a Firenze attraversa il fiume Arno con le sue caratteristiche costruzioni storiche

Ponte Vecchio in Florence over the Arno River.
In 2014 I photographed one of the most famous landmarks of the city, the bridge crossing the Arno River that has represented Florence for centuries. This photograph was created with the desire to add an image of such an iconic place to my blog, while still telling the story through my personal photographic perspective.
Ponte Vecchio in Florence, Tuscany, Italy, is probably one of the most recognisable historic bridges in the world. Looking through my camera, I wanted to capture not only its architecture but also the unique atmosphere that makes it instantly identifiable: the buildings standing above the bridge, the relationship with the river and the historic profile of the city around it.
Whenever I photograph a very famous place, I try not to create only a postcard image. Even a location photographed millions of times can reveal something interesting through a different viewpoint, a small detail or a particular moment. This photograph from 2014 represents my way of observing Florence through its symbols while still looking for an image that reflects my own experience of the place.
If you are visiting Florence, Ponte Vecchio is one of the most interesting places to see and one of the first landmarks many visitors want to discover. The bridge is not simply a connection between the two sides of the Arno, but a real part of the city built above the water, with historic shops, unique architecture and centuries of stories.
A historical curiosity about Ponte Vecchio is that the current structure dates back to the fourteenth century and is traditionally associated with the architect Taddeo Gaddi. Over time, the bridge changed its commercial identity: it originally hosted different types of shops, including butchers, while today it is famous mainly for its jewellery workshops.
I wanted to capture this view with my camera because Ponte Vecchio still represents the connection between past and present. Standing near the Arno, it becomes clear that this bridge is not only a historic monument, but also a living place crossed every day by thousands of people.
This photograph connects with other stories on my blog dedicated to Florence and its architectural details, because describing a city also means returning to its most famous symbols and trying to see them from a fresh perspective.

Have you ever photographed Ponte Vecchio from a viewpoint different from the classic river view? Add a comment or go to the bottom of the site to read what other visitors have written.

To see all the photos I took in the beautiful Tuscan town, click here:

The Ponte Vecchio is a bridge spanning the Arno River in Florence, located approximately 150 meters downstream from the point where the river’s channel is naturally at its narrowest within the city, in the stretch upstream of the Cascine.
Read more on Wikipedia

29 June 2026

A generous paella prepared on board a ship

A generous paella prepared on board a ship.
The cruise ship paella immediately draws my attention as I walk through the buffet on Costa Firenze, operated by Costa Cruises. The cruise ship paella feels like a shared moment between passengers, something that slows down the usual rhythm of moving plates and conversations.
We are sailing in a Mediterranean atmosphere, with Florence, Tuscany, Italy remaining a symbolic point in my mind, even far from land. The cruise ship paella appears in large pans, carefully prepared in industrial kitchens designed to serve thousands without losing identity or texture.
On board Costa Crociere ships, I have often noticed how dishes like this become highlights of the buffet experience. I remember the Buffet Magnifico on Costa Firenze, where the cruise ship paella was served with quiet pride by the crew, turning a simple meal into a shared event.
There is a related story on this blog that captures similar moments at sea, where food becomes memory, and in that story too the cruise ship paella acts as a cultural bridge among travelers from different countries.
A small but interesting detail is how cruise kitchens must balance humidity and movement; even a slight change in ship motion can affect rice cooking, so chefs adapt techniques to maintain consistency in every serving of cruise ship paella.

If you are on a cruise and you see a dish like this waiting in the buffet, do you stop for it or keep exploring the rest of the options? Add a comment or go to the bottom of the site to read what other visitors have written.

Photos taken with Honor 20.

Paella is a traditional Spanish dish made with rice, saffron, vegetables, meat, and seafood. Originating in the Valencian Community, it later spread throughout Spain, gaining popularity abroad, particularly in the Mediterranean basin and Latin America. Etymologically, the Valencian word paella derives from the Latin patella, from which the French poêle, the Medieval Spanish padilla, and the Italian padella also derive.
Continue and learn more on Wikipedia

A generous paella prepared on board a ship – Une généreuse paella préparée à bord du navire – Una abundante paella preparada a bordo del barco – Uma paella abundante preparada a bordo do navio – Eine reichhaltige Paella an Bord des Schiffes zubereitet – Một paella thịnh soạn được chuẩn bị trên tàu – 一艘船上准备的丰盛海鲜饭 – 船上で用意された豪華なパエリア

The text of this post was written with the help of ChatGPT, a language model from OpenAI.

10 May 2026

Beautiful Florence and its wonders seen from above

Beautiful Florence and its wonders seen from above.
A weekend in Florence in early October, but with summer temperatures, is unparalleled.
I didn’t take many photos this time (also because there are tons of them online), but obviously I couldn’t help but post a few from the splendid Piazzale Michelangelo, the city’s most famous vantage point.
I’ll add more in the coming days.

Have you ever been to Florence and Piazzale Michelangelo? Add a comment or go to the bottom of the site to read what other visitors have written.

To see all the photos I took of this beautiful Tuscan town, click here:

Piazzale Michelangelo in Florence is the most famous observation point of the city skyline, depicted on countless postcards and a must-see for tourists visiting the city.
It was built in 1869 based on a design by architect Giuseppe Poggi on a hill just south of the historic center, completing the redevelopment of the left bank of the Arno.
Continue and learn more at Wikipedia

The view across Florence from Piazzale Michelangelo – La vue sur Florence depuis la Piazzale Michelangelo – Der Blick über Florenz vom Piazzale Michelangelo – Khung cảnh khắp Florence từ Piazzale Michelangelo

22 April 20267 August 2026

Giotto’s bell tower of Florence Cathedral

Giotto’s bell tower of Florence Cathedral.
Among the things to see in Florence, Tuscany, Italy, Giotto’s bell tower is one of the most recognizable elements of the Cathedral of Santa Maria del Fiore complex. In this photograph, I wanted to capture one of the symbols of the city, a masterpiece of Italian Gothic architecture known for its elegance, proportions and striking colors.
I took this picture while walking through the historic center of Florence, where it is almost impossible not to be impressed by the grandeur of the cathedral. The bell tower, designed by Giotto and completed after his death, rises next to the church as a beautifully decorated structure full of refined details. Looking at it from close range, you can appreciate the precision of its geometric patterns and the richness of its surfaces.
One of the most fascinating aspects is the use of colored marble. The entire complex is covered with white, green and red marble, creating a unique visual effect, almost like a kaleidoscope that changes depending on the light throughout the day. This is a typical feature of Florentine architecture, but here it reaches one of its highest expressions.
Giotto’s bell tower is not only decorative but also symbolic, representing the artistic and cultural importance of medieval Florence. Standing over 80 meters tall, it also offers the opportunity to climb to the top and enjoy a panoramic view of the city and its famous red rooftops.
Florence, the capital of Tuscany, Italy, is one of the most important cities in the world for art and architecture. The cathedral complex, including the church, the bell tower and the baptistery, is one of the most visited and photographed places in the city.
A short historical note about Giotto: he is considered one of the greatest artists of the Middle Ages and played a key role in the renewal of art and architecture, leaving a lasting legacy in Italian culture.
This photograph reflects my way of telling stories through iconic landmarks while still looking for a personal perspective. Even in a place that has been photographed countless times, each image can offer something different depending on the light, angle and moment.
If you are visiting Florence and wondering what to see, Giotto’s bell tower is an essential stop to fully appreciate the beauty and history of the city.

Which famous monument impressed you the most because of its colors and details? Add a comment or go to the bottom of the site to read what other visitors have written.

Photo taken with Canon EOS M100 camera and Canon EF-S 10-18 lens.

Giotto’s influence is especially evident in the pictorial quality of the refined white marble cladding (from the quarries of Campiglia Marittima and Pietrasanta), green (Prato serpentine), and red (Monsummano Terme, Siena, Stazzema) marble, and above all in the grandiose figurative cycle that adorns the base of the bell tower.
Continue and learn more on Wikipedia

12 May 202521 August 2026

The Palazzo Vecchio Restaurant on Costa Firenze

Il ristorante Palazzo vecchio sulla ex Costa Firenze

The Palazzo Vecchio Restaurant on Costa Firenze.
On board the ship, this restaurant caught my attention because its name immediately brought Florence to mind. The photograph shows one of the two restaurants on the beautiful former Costa Firenze, a cruise ship that became part of the Carnival fleet in February 2024.
When I photograph a cruise ship, I often find myself paying attention to the details that help define its identity. The largest public spaces are usually the easiest subjects to notice, but smaller elements can sometimes tell just as much about the concept behind a ship. In this case, the name Palazzo Vecchio immediately revealed the strong connection between Costa Firenze and the city that inspired it.
Costa Firenze was designed around a strong Florentine theme. The reference to Florence was not limited to the ship’s name. It could also be found in the interiors, restaurants and decorative details, all contributing to an overall idea of Italian and Florentine identity. The Palazzo Vecchio restaurant naturally fitted into that concept.
The name refers to Palazzo Vecchio, the historic building overlooking Piazza della Signoria in the heart of Florence. Palazzo Vecchio is the seat of the municipal government of Florence and one of the city’s most recognizable landmarks. Its stone façade and distinctive tower have become closely associated with the image of Florence.
That connection is what makes the photograph interesting to me. I was not photographing the original Palazzo Vecchio, of course, but a restaurant on a cruise ship carrying its name. The reference created a symbolic link between the real city of Florence and the version of Florence evoked inside Costa Firenze.
If you are interested in what to see on a cruise ship such as Costa Firenze, these details are worth noticing too. A restaurant is obviously a practical space, but its name and design can also become part of the wider story of the ship. In this case, Palazzo Vecchio was one element of a larger theme that connected different areas on board.
There is a small historical curiosity behind the name. Palazzo Vecchio was originally known as the Palazzo della Signoria, while the name Palazzo Vecchio became established later as a way of distinguishing it from other seats of civic power in Florence. The name therefore refers to a building with a long connection to the city’s political and administrative history.
Costa Firenze used references like this as a visual thread throughout the ship. The city of Florence was present not only in the name of the vessel but also through different spaces and details. For me, photographing the restaurant meant preserving a small part of that overall concept.
In February 2024, Costa Firenze moved into the Carnival fleet. That change gives the photograph another layer of interest today. Cruise ships can change ownership, management, branding and the names of their spaces, while a photograph remains tied to the precise period in which it was taken.
For that reason, I prefer to use the name Palazzo Vecchio because that was the name associated with the restaurant when I photographed it. I would not assume that the name necessarily remained unchanged after the transfer to Carnival. The photograph belongs to that particular chapter in the ship’s history.
I also like the contrast between the original meaning of the name and its use on board. Palazzo Vecchio in Florence is a historic civic building with centuries of political and administrative importance. On Costa Firenze, the same name belonged to a restaurant within a modern cruise ship. The two places are obviously very different, but the name immediately creates a connection between them.
As with some of my other photographic stories about cruise ships, this image came from paying attention to a detail of the onboard experience. I was not simply trying to record a restaurant. I wanted to preserve something that helped explain the distinctive identity of Costa Firenze.
Looking at the photograph now, I think that is where much of its interest lies. It records a dining space, but it also documents a design choice and a specific moment in the history of Costa Firenze. The name Palazzo Vecchio makes the connection with Florence immediately clear and recalls the concept around which the ship was created.
The photograph therefore preserves a small piece of the Costa Firenze I knew, regardless of how the company, interiors or names on board may have changed since then.

I wonder whether the Palazzo Vecchio restaurant kept its name after Costa Firenze became part of the Carnival fleet? Add a comment or go to the bottom of the site to read what other visitors have written.

Photos taken with Honor 20.