Seaside houses in Little Venice Mykonos

Case sul mare a Little Venice Mykonos con balconi colorati affacciati sull’acqua limpida e passeggiata con persone

Seaside houses in Little Venice Mykonos.
There is a very specific feeling when you walk through Little Venice Mykonos, where the seaside houses seem to touch the water and instantly show what to see in Mykonos without any effort. This part of Little Venice in Mykonos is one of the most iconic places in the Greek islands, where architecture and sea blend into a single दृश्य.
I found myself moving slowly along the edge of the walkway, my attention shifting between the crystal-clear water and the bright facades. Some balconies extend so close to the sea that they almost feel like they belong to it. The colors kept changing subtly, with blues and greens reflecting light in a way that felt alive but never overwhelming.
This view is located in Mykonos, Cyclades, Greece, where the sea is not just a backdrop but a constant presence in daily life. If you are visiting this island, Little Venice is definitely a place worth seeing in Mykonos, especially if you are looking for something that captures both history and atmosphere. These houses were historically used by merchants, allowing direct access to boats, which adds a deeper meaning to what you see today.
While taking this shot, I was reminded of another scene I had shared on my site from Liguria, Italy. The connection between buildings and water felt similar, yet here everything seemed brighter and more open, almost floating between land and sea.
People sitting along the waterfront added movement to the scene without breaking its balance. It’s one of those places where you can stay for a long time, just watching the interaction between waves and buildings.

Have you ever been somewhere where the sea feels like it becomes part of the houses themselves? Add a comment or go to the bottom of the site to read what other visitors have written.

Case sul mare a Little Venice Mykonos con balconi colorati affacciati sull’acqua limpida e passeggiata con persone

Photo taken with Canon EOS M100 and Canon EF-M 11-22 lens.

To see all the photos of the town, click here:
foto gallery

Mykonos (Greek: Μύκονος) is a Greek island in the Cyclades, located near Tinos, Syros, and Naxos. It has an area of ​​96 km² and its highest point reaches 341 m above sea level. At the 2001 census, it had 9,320 inhabitants, most of whom live in the town of Mykonos (also known as Chora), which is located on the western coast.
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Where is Mykonos located?

Le case sul mare a Little Venice Mykonos – The seaside houses in Little Venice Mykonos – Les maisons en bord de mer à Little Venice Mykonos – Las casas junto al mar en Little Venice Mykonos – As casas à beira-mar em Little Venice Mykonos – Die Häuser am Meer in Little Venice Mykonos – Những ngôi nhà bên biển ở Little Venice Mykonos – 小威尼斯米科诺斯的海边房屋

The text of this post was written with the help of ChatGPT, a language model from OpenAI.

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A view over Santorini caldera with a ship

Vista sulla caldera di Santorini con case bianche e nave da crociera nel mare blu intenso delle Cicladi

A view over Santorini caldera with a ship.
I still remember the exact moment I took this photo overlooking the Santorini caldera, one of those scenes that stays with you long after you leave. The view over the Santorini caldera, with its deep blue sea and white houses climbing the cliffs, is far more than just another idea of what to see in Greece—it’s something you feel all around you.
I was standing there, leaning slightly over the terrace, while the Costa Pacifica rested quietly in the bay, almost as if it had stopped just to admire the same view. In that moment, being in Santorini, Cyclades, Greece felt almost unreal, like everything had aligned perfectly between light, sea, and silence.
The white buildings reflected the sunlight so brightly that they almost blended into the sky, while the shadows carved sharp, geometric shapes across the landscape. If you are visiting Santorini and wondering what to see, this is one of the most iconic views you can experience, yet it still manages to feel personal and intimate.
It reminded me of another photo I shared on the site, also focused on a seaside landscape, but with a completely different mood. Here, everything felt open and radiant, filled with that unmistakable Mediterranean light.
An interesting fact is that the Santorini caldera was formed by one of the largest volcanic eruptions in history, and what we see today is actually the rim of a massive submerged crater.
If you are looking for what to see in Santorini, this is definitely a place worth seeing—not just for its beauty, but for the feeling it leaves behind.

Have you ever stood in front of a view so perfect it almost didn’t feel real? Add a comment or go to the bottom of the site to read what other visitors have written.

Vista sulla caldera di Santorini con case bianche e nave da crociera nel mare blu intenso delle Cicladi

Photo taken with Canon EOS M100 camera and Canon EF-M 11-22 lens.

Santorini (also Santorino in Italian; Modern Greek: Σαντορίνη, Santoríni; Ancient Greek: Θήρα, Thera) is the southernmost island of the Cyclades archipelago in the Aegean Sea.
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View over the Santorini caldera with a ship – Vue sur la caldeira de Santorin avec un navire – Vista sobre la caldera de Santorini con un barco – Vista sobre a caldeira de Santorini com um navio – Blick auf die Caldera von Santorini mit einem Schiff – Quang cảnh miệng núi lửa Santorini với con tàu – 圣托里尼火山口与船只的景色 – サントリーニのカルデラと船の眺め

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Fresh raspberries and strawberries, taste of summer

Piatto con lamponi e fragole fresche pronti da mangiare su tavolo, colori vivaci tipici dell’estate in Italia

Fresh raspberries and strawberries, taste of summer.
There are moments when a simple plate of raspberries and strawberries is enough to bring summer right in front of you, and as I look at them, I think about how these fresh berries are among the best things to eat when the weather gets warm, especially if you are visiting Italy or looking for what to eat in Liguria during summer. Their bright colors immediately catch the eye, and they remind me of slow afternoons where everything feels lighter and easier.
I take a closer look, noticing the texture of the raspberries and the smooth surface of the strawberries. Fresh raspberries and strawberries have that perfect balance between sweetness and a slight acidity that makes them incredibly satisfying on their own. This simple plate could be found in any home kitchen, maybe somewhere in Liguria, Italy, where seasonal ingredients often become the center of the table without needing much preparation.
If you are wondering what to do with raspberries and strawberries, the simplest answer might also be the best one: just enjoy them as they are. Of course, they can be used for desserts, cakes, or fruit salads, but there’s something more genuine about eating them naturally. It’s a small gesture, but it carries a strong connection to the season.
I remember sharing a similar moment in another post on the site, where everyday food becomes something worth capturing and telling. It’s not about complexity, but about recognizing those quiet details that often go unnoticed.
A small curiosity: raspberries are not a single fruit but a cluster of tiny drupelets, which is why their texture feels so unique compared to other berries. It’s one of those details you don’t think about until you really stop and observe.
As I sit there, I realize I’m not just photographing food, but a feeling tied to summer itself. The plate slowly empties without me even noticing, one berry at a time.

Do you prefer eating them fresh or turning them into a dessert? Add a comment or go to the bottom of the site to read what other visitors have written.

Photos taken with Honor 20.

Fresh raspberries and strawberries, taste of summer – Framboises et fraises fraîches, saveurs d’été – Frambuesas y fresas frescas, sabores del verano – Framboesas e morangos frescos, sabores do verão – Frische Himbeeren und Erdbeeren, Geschmack des Sommers – Mâm xôi và dâu tây tươi, hương vị mùa hè – 新鲜覆盆子和草莓,夏天的味道 – 新鮮なラズベリーとイチゴ、夏の味

The text of this post was written with the help of ChatGPT, a language model from OpenAI.

Summer nightlife in Sestri Levante

Archivolto di via Garibaldi a Sestri Levante con tavoli di un ristorante durante la vita notturna estiva

Summer nightlife in Sestri Levante.
In the historic center of Sestri Levante, Liguria, Italy, the streets gradually change character in the evening as restaurant tables fill and the town’s summer nightlife begins. It is a different way of experiencing Sestri Levante after dark, less connected with the crowds I remember from years ago and increasingly shaped by visitors choosing to spend the evening in the many restaurants around the old town.
This photograph, however, shows a much quieter moment. I was near the archway on Garibaldi street when I photographed this small corner occupied by a few restaurant tables. There is no large crowd here, no packed alleyway and no obvious rush. For that reason, I think the image captures a quieter side of nightlife in Sestri Levante that can still be found among the streets of the historic center.
Compared with the past, summer evenings in Sestri seem to me to have changed considerably. I remember the old town being particularly popular with younger people, who would often spend part of the evening walking through the center before continuing toward the Castelli swimming pool. The town center was then one of the stages of a longer night out.
In recent years, evening tourism has developed in a different direction. There are more restaurants and many more outdoor tables than I remember from years ago. During summer evenings, visitors often stay in the center for dinner, making the narrow streets feel like a natural extension of the restaurants themselves.
The character of the noise changes too. Once dinner is over and the restaurant tables begin to empty, the atmosphere can become considerably livelier. Groups of young people take over parts of the center and the relative quiet of the earlier evening can give way to a much noisier scene.
My photograph tells the other side of that story. The archway on Garibaldi street creates a small, enclosed space that feels almost separate from the movement elsewhere in the town. A few tables beneath the passage are enough to turn an ordinary corner into a place where people can sit, eat and talk.
That small detail is what caught my attention. I was not trying to photograph the busiest side of Sestri Levante or document its nightlife at its loudest. I was more interested in showing a brief moment of an evening, one of those places where the night is already underway but has not yet reached its more chaotic rhythm.
If you are wondering what to do in Sestri Levante at night, the historic center naturally offers plenty of choices during the summer season. But the evening is not necessarily about crowds and noise everywhere. There are still corners where the night moves at a slower pace, perhaps around a dinner table beneath an old archway like this one.
Sestri Levante is a place where the historic center, restaurants and seaside atmosphere are closely connected. The town is compact enough that its different evening moods eventually meet in the same streets. A quiet dinner, a walk through the old town and a much livelier late evening can all belong to the same night.
Looking at this photograph also reminds me how difficult it is to describe a town through a single image. A street can be almost empty at one moment and crowded shortly afterward. The same corner can have a completely different atmosphere depending on the hour and the particular stage of the summer season.
This is one of the things I enjoy photographing in Sestri Levante. I do not always want to photograph the classic views of the Bay of Silence or the most recognizable parts of the town. Sometimes I prefer recording small changes in everyday life, such as the way a quiet corner becomes part of the evening scene.
The photograph also connects naturally with other posts I have written about Sestri Levante, where I have focused on less obvious corners of the town rather than only its best-known views. Together, these images create a more personal record of a place that I have seen change over time.
The archway on Garibaldi street, with its few restaurant tables and discreet activity, feels almost like a small pause within the summer evening. It does not represent the loudest version of Sestri Levante, but perhaps that is exactly why I like the photograph.
Nightlife changes with habits, tourism and generations, and the way people experience a town during summer inevitably changes with them. Some things disappear, others take their place, while small details remain almost unnoticed. Photographing these changes is also a way of keeping a record of what an ordinary summer evening once looked like.

How do you remember summer evenings in Sestri Levante: did you prefer the livelier nights of the past or these quieter corners? Add a comment or go to the bottom of the site to read what other visitors have written.

Archway on Garibaldi street in Sestri Levante with restaurant tables during summer nightlife

Photo taken with Honor 20.

Here is the exact location:

The Bay of Silence seen from the sea

Baia del Silenzio a Sestri Levante fotografata dalla superficie del mare, con parte immersa e parte emersa

The Bay of Silence seen from the sea.
This time I wanted to look at Sestri Levante from a completely different viewpoint, with my camera positioned right at the waterline. The photograph shows the bay above the surface while also revealing what lies below it, creating the unusual split-level effect that caught my attention.
I took this photograph last summer using one of the latest photography gadgets I had bought specifically to experiment with this kind of image. I took quite a few photographs from inside the water, and I really enjoyed seeing how the familiar landscape changed when the camera was placed between the two worlds.
If you are wondering what to see in Sestri Levante, the Bay of Silence is almost certainly one of the first places that comes to mind. It is the symbol of my hometown and a subject I have photographed many times, from the shore, from the sea and from different points around the peninsula. That is exactly why I sometimes enjoy looking for a new perspective instead of taking another conventional view.
Here, the location has not changed at all. The viewpoint has. One half of the photograph remains above the water, showing the bay as we normally see it, while the other half disappears beneath the surface. The waterline becomes a natural dividing line between the two parts of the image.
What I like about this kind of photograph is that it does not necessarily require a complicated photographic concept. It is simply another way of observing a place you think you already know. Since I live close to the Bay of Silence, I have seen it countless times, and experimenting with different viewpoints helps me avoid taking that familiar landscape for granted.
Sestri Levante is in Liguria, in the Metropolitan City of Genoa, Italy, and its peninsula separates the Bay of Silence from the larger Bay of Fables. Photographing the first from the water means looking at one of the town’s best-known places from a viewpoint that most people would not normally use.
There is a small technical curiosity behind this type of image. Photographs showing both the area above and below the waterline are often described as split-level or over-under photographs. The camera lens needs to sit precisely across the surface, usually with a suitable accessory that helps keep the front of the lens protected and clear.
I wanted to try this technique without changing the character of the Bay of Silence itself. The place remains completely familiar, but the accessory gave me a way to add a new perspective to my personal collection of photographs from Sestri Levante.
This is one of the things I enjoy most about photography. Even when you know a subject extremely well, changing your position, height, lens or simply your way of looking at it can reveal something you had never noticed before.
I have already shared several photographs of the Bay of Silence on my photo blog, including winter views and images made in very different conditions. This one belongs to last summer and was mainly born from the desire to experiment with a new photographic idea.
For me, that is enough of a reason to keep trying. A place that has been photographed countless times can still offer something new if you are willing to change the way you look at it.
In this case, the surprise is the waterline itself, separating two different worlds inside the same photograph while keeping the Bay of Silence recognizable above it.

Have you ever tried photographing a familiar place from inside the water? Add a comment or go to the bottom of the site to read what other visitors have written.

Bay of Silence in Sestri Levante photographed at the waterline, showing both the submerged and above-water view

Photo taken with GoPro Hero 10 Black and Telesin Dome Port.

Here are also a couple of videos shot from the water:

Videos recorded with Gopro Hero 10 Black and Telesin Dome Port.

Sestri Levante’s Bay of Fables in summer

La Baia delle Favole di Sestri Levante durante l'estate

Sestri Levante’s Bay of Fables in summer.
I took this photograph last July, when the large bay of Sestri Levante was showing its most typical summer side, with swimmers, visitors, umbrellas and people enjoying a few hours by the sea.
During summer, the two bays of Sestri Levante become much busier. The Bay of Silence, smaller and especially well known for its enclosed shape, attracts large numbers of visitors and access has been regulated in recent years. On the other side of the peninsula, the Bay of Fables is much longer and more open, offering a completely different view of the coastline.
This difference is one of the things I enjoy when photographing Sestri Levante. The two bays are very close to each other, yet they create two distinct environments. The Bay of Fables gives the photographer a wider scene, with a long stretch of beach and the Ligurian Sea opening out beyond it.
The photograph was taken last July, right in the middle of the summer season. I like photographing places like this when they are busy because the people are part of the landscape. I am not always looking for an empty beach or a perfectly clean composition. Sometimes swimmers, umbrellas and the movement along the shoreline tell the story of the place much better.
If you are wondering what to see in Sestri Levante during summer, the two bays are among the most recognizable parts of the town. The Bay of Fables extends for a little over a kilometer and offers different kinds of beaches, including free public areas, equipped public beaches and private bathing establishments.
That variety makes it quite different from the smaller Bay of Silence. There is no single choice that suits everyone. It depends on what you are looking for during a day by the sea. From a photographic point of view, however, this variety also gives me plenty of different subjects to observe.
Sestri Levante is in Liguria, in the Metropolitan City of Genoa, Italy, on the Ligurian Sea. Its position between two bays is one of the defining features of the town. The peninsula separating them makes it possible to move from one coastline to the other within a few minutes.
There is also a small cultural curiosity behind the name Bay of Fables. It is connected with Hans Christian Andersen, who stayed in Sestri Levante in the nineteenth century. His presence became part of the town’s cultural identity, and Sestri Levante later established a literary prize dedicated to children’s fiction in his name.
What I like about this photograph is how ordinary the scene is. There is no special event taking place and nothing particularly dramatic happening. It is simply a summer day in Sestri Levante, with the bay filled with people enjoying the sea.
For me, these photographs are also useful reminders of how much a place changes with the seasons. The same beach can look almost empty in winter, while in July the number of people immediately shows how important the sea is to everyday life in Sestri Levante.
I have photographed other parts of the Sestri Levante peninsula as well, and one of the things I enjoy most is returning to familiar places from a different viewpoint. The same coastline can look completely different depending on the season, the weather and even the number of people on the beach.
The Bay of Fables is long enough to offer plenty of different possibilities, whether you are looking for a quiet section, an equipped beach or simply a place to walk beside the sea. From my point of view, it is also an easy place to photograph because the summer activity provides a constantly changing scene.
This image therefore remains a simple memory of Sestri Levante in July. No special planning was necessary: I simply saw the bay as it was, full of life, and decided to stop and photograph it.

Which do you prefer, the Bay of Fables or the smaller and more sheltered Bay of Silence? Add a comment or go to the bottom of the site to read what other visitors have written.

Bay of Fables in Sestri Levante during summer, with a busy beach full of swimmers and visitors

Bay of Fables in Sestri Levante during summer, with a busy beach full of swimmers and visitors

Bay of Fables in Sestri Levante during summer, with a busy beach full of swimmers and visitors

Bay of Fables in Sestri Levante during summer, with a busy beach full of swimmers and visitors

Photos taken with Canon EOS RP and Tamron 16-300.

Here is where the bay is located:

Camogli harbor seen from Recco

Il porticciolo di Camogli visto da Recco con il teleobiettivo

Camogli harbor seen from Recco.
From Recco, I photographed Camogli harbor with a powerful telephoto lens, looking for a different perspective on the Ligurian coast. What interests me about seeing Camogli from Recco is precisely this distance: instead of standing beside the colorful houses and the small harbor, I could observe the village from farther away and use the lens to bring the scene closer.
Some time ago I was in Recco and took the opportunity to photograph Camogli from there. It was not the usual viewpoint I would have chosen while visiting either of the two towns, and that distance made me stop and look for a composition I would not normally have had.
A telephoto lens can completely change the way a familiar place looks. From a distance, it brings apparently small elements much closer while also compressing the sense of depth in the landscape. In this case, Camogli harbor emerges from the wider view and becomes the natural point towards which the eye is drawn.
The photograph was taken in summer, and the sky was not particularly clear. The distance between Recco and Camogli, together with the haze in the atmosphere, made the images slightly soft and less defined than I would normally prefer. I do not necessarily see that as a flaw, though. It is part of the actual conditions in which I took the photograph and therefore part of the story of the image.
If you are wondering what to see in Camogli, the harbor and the colorful buildings overlooking the sea are naturally among the village’s most recognizable features. Photographing it from Recco completely changes that familiar view. I was not looking for a close-up of a facade or a perspective from the waterfront. I wanted to show how Camogli looks when viewed from another point along the coast.
Recco, Liguria, Italy, is only a short distance from Camogli, and that proximity creates interesting views across the coastline. The photograph came from exactly that possibility: being in one place and paying attention to what lies a little farther away, even when it is not the main subject of the day.
The harbor is one of the features that most strongly identifies Camogli. The village has a long connection with the sea and fishing, while today the small harbor remains one of its most recognizable views. Seen from a distance, however, many of the small details disappear and the harbor becomes almost a graphic element within the shape of the coastline.
That unusual perspective is what I like most about this photograph. If I had been standing in Camogli, I would probably have photographed the harbor from close by, looking for boats, houses and small details along the waterfront. From Recco, I had to do exactly the opposite: move away from the subject and use a telephoto lens to bring it back into the frame.
I also find the relationship between technique and place interesting in this kind of photograph. I did not need to find an especially dramatic viewpoint. I simply needed a sufficiently powerful lens and a reason to look carefully at what was in front of me. The telephoto lens turned a distant view into an image where the harbor became clearly recognizable.
The summer haze is naturally still visible. The photographs do not have the sharpness they might have had on a particularly clear day, but I prefer keeping them because they document the real conditions at the time. A personal photograph does not always have to be technically perfect to remain interesting.
I also like comparing this image with other photographs I have published of the Ligurian coast. Changing your viewpoint can completely alter the appearance of a familiar place. That is one reason I continue photographing places I may have already seen many times: moving just a few kilometers can be enough to find a new perspective.
This time the subject was Camogli, but the photograph was made in Recco. The small harbor, seen through a telephoto lens, becomes the result of two places connected by distance.

Have you ever tried photographing Camogli from Recco, or used a telephoto lens to find an unusual view of a place you already know? Add a comment or go to the bottom of the site to read what other visitors have written.

Camogli harbor seen from Recco with a telephoto lens, between the sea and Ligurian coast in summer haze

Camogli harbor seen from Recco with a telephoto lens, between the sea and Ligurian coast in summer haze

Camogli harbor seen from Recco with a telephoto lens, between the sea and Ligurian coast in summer haze

Photos taken with a Canon EOS RP camera and a Tamron 16-300 lens.

Here are a couple of videos of the Camogli small harbor that I filmed on a different day:


Video recorded with the GoPro Hero 10 Black.

Here is where Camogli is located:

Sant’Anna Beach in Sestri Levante

La spiaggia di Sant’Anna a Sestri Levante il 6 luglio, affacciata sulla Baia delle Favole

Sant’Anna Beach in Sestri Levante.
Among the beaches of Sestri Levante, Sant’Anna Beach is one of those places I know well and often find myself photographing during the summer. I took this photograph on July 6, along the part of the Bay of Fables below Sant’Anna, and looking at it now immediately brings back memories of the warmer season.
When people think about the beaches of Sestri Levante, the first place that usually comes to mind is the famous Bay of Silence. It is probably the town’s most photographed spot, but it is certainly not the only part of the coastline worth seeing. On the other side of the peninsula, along the Bay of Fables, there are other beaches and views that are an important part of everyday life in Sestri.
Sant’Anna Beach is one of those places. I know it especially as one of the subjects I like to photograph when I want to capture the sea without necessarily looking for the town’s most iconic view. Its position along the Bay of Fables offers a different perspective on Sestri Levante and its coastline.
On July 6, I decided to stop and capture this summer view with my camera. There was no need to create a particular scene. I simply wanted to preserve the appearance of the beach at that point in the season. This is one of the things I enjoy most about photographing Sestri Levante: returning to familiar places and realizing that, even when I know them well, they can still suggest a different photograph.
If you are visiting Sestri Levante and wondering what to see beyond the Bay of Silence, the Bay of Fables is certainly another part of town worth noticing. The coastline has a different character and feels more open, and that difference allows you to discover another side of Sestri. For me, having spent so much time here, these beaches are an essential part of the town’s overall landscape.
There is also a small curiosity behind the name Bay of Fables. It is associated with the Danish writer Hans Christian Andersen, who stayed in Sestri Levante in 1833. The connection with his fairy tales remained in the name of the bay and has become one of the town’s most distinctive references.
The photograph itself, however, is not meant to be a description of the bay. My interest was mainly photographic: to preserve a moment of summer. I like the fact that a photograph can do that without necessarily showing something extraordinary.
The date, July 6, also adds a small detail to the memory behind the image. Looking at it during the colder months makes it easy to think about summer days, beaches and the time of year when the sea naturally becomes one of the main parts of everyday life in Sestri Levante. That may also be why I wanted to publish it: as a small reminder of summer when the season is already far away.
Over the years I have photographed Sestri Levante many times, and some places have naturally returned in my posts. The Bay of Silence is certainly one of them, but I do not want my photographic record of the town to be limited to its best-known views. A beach like Sant’Anna, a stretch of coastline or an ordinary street can become part of the personal memory of a place too.
This is one of the reasons I keep photographing familiar places. When you know somewhere well, it is easy to stop noticing it. Having a camera with me gives me a reason to slow down, look again and choose a detail that I may have already seen many times without ever turning it into a photograph.
Sant’Anna Beach belongs to this more everyday side of Sestri Levante. There is no need to search for a spectacular image every time. Sometimes it is enough to preserve a small fragment of summer, especially when that fragment belongs to a place that is part of your own experience.
This photograph also connects with other posts on my site about Sestri Levante, where over time I have documented the town through views, beaches, streets and small details. Together, these images create a more personal portrait of the place, made not only of the views everyone recognizes, but also of the corners that continue to catch my attention.
On July 6, I simply wanted to capture one of those views with my camera. Looking at the photograph now, it feels above all like a small photograph of summer, the kind that makes you want to go back to the sea.

Which is your favorite beach in Sestri Levante besides the Bay of Silence? Add a comment or go to the bottom of the site to read what other visitors have written.

Sant’Anna Beach in Sestri Levante on July 6, along the Bay of Fables

Photo taken with Canon EOS M100 and lens Canon EF-M 22.

Piscina dei Castelli in Sestri Levante

Piscina dei Castelli a Sestri Levante vista dal porto, con la struttura sul mare e la scogliera della Liguria

Piscina dei Castelli in Sestri Levante.
I took this photograph in 2013 from the harbour of Sestri Levante, stopping to look toward the coastline and the unusual seaside structure that had long been part of the town’s summer life. When I think about photos of Sestri Levante and what to see along this part of Liguria, Piscina dei Castelli is one of those places that immediately brings me back to a particular period in the town’s history.
At the time, the nightclub was closed. In my original article, I mentioned that closure almost as a hope for the future. Looking at the photograph now, that detail makes the image even more interesting because we know that the story of Piscina dei Castelli did not end there.
The photograph came from simply observing the landscape. From the harbour I had a wide enough viewpoint to avoid photographing the structure in isolation and instead include it within its natural setting, together with the sea and the coastline. That is why I preferred a slightly distant composition: I wanted to preserve not only Piscina dei Castelli itself, but also the surroundings that make this location so distinctive.
The setting is one of the most unusual features of the place. Piscina dei Castelli is located in the tourist harbour of Sestri Levante, Liguria, Italy, and the venue follows the edges of a natural seawater pool carved into the rocky coastline. Rock, water and architecture are therefore closely connected, and that relationship can already be appreciated from the harbour.
In my original article, I focused mainly on the seaside establishment and its connection with the historic nightclub of the same name. During its active years, the beach in front of the pool and the concrete platforms became part of the spaces used during summer nights. It was an unusual way of experiencing a nightclub, with music and the sea occupying almost the same space.
The history of Piscina dei Castelli, however, began long before I took this photograph. According to the official Piscina dei Castelli website, its story dates back to 1968, when Tino Barbera and Rudy Ciuffardi created a venue combining music and live concerts with a seaside setting. Over the following years, many well-known Italian and international performers appeared there, helping the venue become part of the cultural and nightlife history of Sestri Levante.
One detail I found particularly interesting is connected with 1987, when several themed parties were introduced and later became strongly associated with the name Piscina dei Castelli. They included the Festa in Bianco, the Full Moon Party and the Hawaiian-themed Hanoa Hanoa. The venue also recalls its Halloween Party as one of the earliest events of its kind in Italy.
In 1985, the owners had decided to focus more strongly on the nightclub side of the business after a long period characterised by live performances. This transition helps explain how Piscina dei Castelli evolved over the decades while maintaining its identity around music and its unusual position beside the sea.
When I took the photograph in 2013, however, all of that belonged to the history of the venue. Piscina dei Castelli was going through a period of closure, yet its distinctive structure was still clearly visible from the harbour. That contrast is what strikes me most today: a place created for music, dancing and crowds, photographed during a quiet chapter of its story.
The story would eventually continue. After eight years of closure, Piscina dei Castelli reopened in 2015 and returned to activity as a club and event venue. The official location page still describes the venue through its relationship with the natural seawater pool, the rocky shore and the spaces overlooking the water.
Knowing this now inevitably changes the way I look at the photograph. In 2013 I had no way of knowing that the venue would reopen only two years later. To me, it was simply a familiar place that deserved another photograph from the harbour.
This image also connects with another photograph I had published a few years earlier, showing Piscina dei Castelli as it looked in 2009. That photograph also came from a period when the nightclub was closed. Looking at the two images today, I almost feel as though I unintentionally followed a small part of the venue’s history through my camera.
There are other photographs of Sestri Levante on the site as well, including the Bay of Silence at night. They are very different images, but they belong to the same idea of documenting the town through personal viewpoints and different moments. I am more interested in preserving what I actually saw than in turning the photograph into a conventional travel guide.
If you are wondering where Piscina dei Castelli is in Sestri Levante, the reference point is the tourist harbour. The official contact page gives the address as Piazzale Mariani d’Italia 3, Sestri Levante. For current events, opening times and activities, the official website is naturally the best place to check because those details can change over time.
What remains constant, however, is the relationship with the sea. That is the detail that first caught my attention when I took the photograph and that I still consider the real subject of the image. The structure does not simply stand beside the coastline: it follows the shape of the rock and the natural seawater pool, becoming almost part of the landscape.
Looking at this photograph many years later, I realise that its value is not only in showing Piscina dei Castelli. It shows Sestri Levante at a particular moment, when the venue was closed and its future was uncertain. What was once simply a personal memory has become a way of comparing two different chapters in the history of this place.
That is also why I think it is worth photographing the things we encounter during an ordinary walk, even when they do not seem especially important at the time. Buildings change, venues close or reopen, people’s habits evolve and, years later, a simple photograph can become a way of remembering how a familiar place once looked.
Piscina dei Castelli is now once again part of Sestri Levante’s life, while this photograph remains connected with 2013 and that period of waiting. For me, that is precisely why I wanted to update this old article without losing its connection with the original photograph.

Do you also have an old photograph that, years later, made you realise how much the place in front of your camera had changed? Add a comment or go to the bottom of the site to read what other visitors have written.

Piscina dei Castelli in Sestri Levante seen from the harbour, with the seaside structure and rocky Ligurian coastline

Albaro Swimming Pools, a green spot in Genoa

Piscine di Albaro a Genova con vasche esterne e persone durante una giornata estiva

Albaro Swimming Pools, a green spot in Genoa.
After many years, I returned to Albaro Swimming Pools in Genoa, Liguria, Italy, a place connected to my memories from the time when I practiced water polo. I took this photograph during a beautiful day when the outdoor pools were full of activities and people enjoying this special area of the Albaro district.
It had been a long time since I had visited Albaro Swimming Pools. When I was younger, I spent many hours there training in the water, although I remember playing an official match in that pool only once. I always remembered the place as beautiful, perhaps a little old-fashioned, but with a unique character.
Some time ago I returned there for swimming and rescue tests organized by the Genoa Training Center (CMA). It was a chance to revisit a place from my past and see how it had changed over the years.
Albaro Swimming Pools are one of Genoa’s historic sports facilities and have long been a reference point for water activities. Besides competitive swimming, the complex offers courses, children’s activities, diving, water aerobics, and summer leisure opportunities. One interesting detail is the location itself: surrounded by the greenery of the Albaro neighborhood, the pools feel separated from the busy rhythm of the city while still being close to the center.
If you are visiting Genoa and looking for things to discover beyond the most famous landmarks, places like this reveal another side of the city. They are not traditional tourist attractions, but they are important spaces in the everyday life of local people.
Over the years, the facility has seen renovation work, including improvements around the pool area, and today it feels like a lively and welcoming place. Through this photograph, I hope to share that atmosphere: an outdoor day, different activities happening at the same time, and a location that continues to be enjoyed by many generations.
This image connects with the way I like to photograph Genoa, focusing not only on famous views but also on everyday places that reveal the true personality of a city.

Have you ever returned to a place from your youth and found it changed but still special? Add a comment or go to the bottom of the site to read what other visitors have written.

Albaro Swimming Pools in Genoa with outdoor pools and people enjoying a sunny day

Photo taken with Canon EOS M100 and lens Canon EF-M 22.

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  • Italiano