A modern portico in Sestri Levante

Portico moderno a Sestri Levante con colonne in cemento e vetrine colorate tra Largo Giovanni Masi e via Eraldo Fico

A modern portico in Sestri Levante.
I find myself walking under this modern portico in Sestri Levante, trying to follow the clean, repeating lines that stretch one after another into the distance. This urban corner is one of those places to see in Sestri Levante if you’re curious about the quieter, more everyday side of the town, far from the usual postcard views.
The concrete columns create a steady rhythm, almost hypnotic, while the bright shopfronts on the left add a splash of color that breaks the strict geometry. As I move forward, my steps seem to fall in sync with the structure itself, as if the space was designed not just to be seen, but to be experienced while walking through it.
This scene is set in Sestri Levante, Liguria, Italy, between Largo Giovanni Masi and via Eraldo Fico, an area that many might simply pass by without noticing. Yet it quietly shows how modern architecture blends into everyday life, where shops, signs and small details coexist with simple, functional design.
If you are visiting Sestri Levante, this is one of those spots that might not appear on a list of must-see attractions, but it’s still a place worth seeing if you enjoy observing how cities really live and breathe. There’s something interesting about how ordinary spaces can reveal unexpected beauty when framed through a camera.
I often find myself drawn to similar scenes, just like in other photos I’ve shared on the site from Ligurian streets and walkways, where repetition and perspective become the main subjects. Here, it’s the depth that caught my attention, that sense of being gently pulled forward, inviting you to keep walking until the very end.
A small note: structures like this, often built in the post-war period, were designed with practicality in mind, yet today they stand out for their minimal and functional style, which gives them a distinct visual identity.

Looking at how the light enters from the side and creates sharp shadows on the ground, I realize once again that even an ordinary place can turn into a compelling photographic subject. Do you ever stop to notice these hidden details while walking? Add a comment or go to the bottom of the site to read what other visitors have written.

Portico moderno a Sestri Levante con colonne in cemento e vetrine colorate tra Largo Giovanni Masi e via Eraldo Fico

Photo taken with Canon EOS R50 V and lens Tamron 16-300.

Where I took the photo:

Add one  comment to this article or read  here what other visitors have written.
 
Adv
 
Disclamer

The rights on images, videos, choruses, text and all other material on the LUCADEA.com website are governed as per  Copyright page.


This page has been viewed 1 times today.
This month it has been viewed 1 times.
In total it has been viewed 1 times.
 

Dubai’s Grand Malls and the Reality Behind Them

Architetture moderne e grandi strutture commerciali a Dubai, simboli dello sviluppo urbano e del lusso della città

Dubai’s Grand Malls and the Reality Behind Them.
Walking around Dubai, I found myself surrounded by enormous shopping centres, futuristic skyscrapers and large complexes devoted to leisure and wellbeing. The scale of these structures is striking, and many seem designed to make an impression before you even step inside. Glass surfaces, bold geometric shapes and carefully planned spaces create an urban landscape where modernity and luxury are part of the everyday scenery.
Dubai is a city in the United Arab Emirates, on the coast of the Persian Gulf, where contemporary architecture has transformed the skyline over recent decades. Shopping malls here are often much more than places to buy things. They can include restaurants, entertainment venues, leisure facilities and attractions that encourage visitors to spend hours inside. Around them, wide roads, modern districts and towering buildings form a cityscape that feels very different from that of many older European cities.
From a photographic point of view, I am drawn to the sheer scale of these buildings and the way they occupy the surrounding space. Their facades, reflective surfaces and strong lines create patterns that immediately catch the eye. Even without knowing the name of every building, it is possible to appreciate the relationship between the architecture, its proportions and the spaces around it. Looking up at these structures often changes the way I frame a scene, making the buildings seem even taller and more imposing.
Yet the more I look at this kind of urban landscape, the more a familiar question comes to mind: is everything really as good as it looks? Dubai’s wealth and architectural ambition are visible, but a city cannot be understood through its most impressive facades alone. Questions about sustainability, energy and water consumption, working conditions and economic inequality also form part of the wider picture. A photograph of a modern building cannot explain all these issues, but it can prompt us to think about what lies beyond the polished exterior.
One interesting feature of Dubai’s shopping culture is that some malls have become destinations in their own right. They offer entertainment, leisure activities and places to meet friends, not just retail spaces. This is quite different from the traditional idea of a shopping centre as a place to visit briefly before heading home. In Dubai, a mall can become a social destination and a comfortable place to spend time away from the outdoor heat.
These buildings also offer plenty of opportunities for photography. Repeating patterns, contrasts between solid structures and open spaces, and the reflections on glass surfaces can all create compelling compositions. I enjoy observing how a change in viewpoint can alter the impression of a building. From one angle, a structure may appear relatively ordinary; from another, its height and scale can dominate the entire frame. In architectural photography, the position of the camera can be just as important as the building itself.
Dubai’s urban development reflects a strong ambition to attract visitors, create new destinations and project an image of innovation. That ambition is part of what makes the city so visually distinctive. At the same time, it raises questions about the long-term impact of rapid construction and the resources required to maintain such an environment. I do not think admiration and criticism have to be mutually exclusive. It is possible to appreciate the design and engineering while also considering the wider consequences of the urban model.
On Lucadea.com, I often use travel photographs to record more than the appearance of a place. An image can preserve a personal impression, but it can also encourage a question that remains after the journey. As with other photographs I have shared of cities and landscapes encountered on my travels, these modern structures offer a starting point for looking at a destination from different perspectives rather than reducing it to a single image.
Dubai continues to surprise visitors through the contrast between its natural setting and the scale of its development. The surrounding desert and coastline provide a striking backdrop to the towers and enormous commercial complexes. Yet perhaps the most interesting way to experience the city is to look beyond the obvious spectacle, paying attention to how people use these spaces and what it takes to sustain them.
For me, photographing this kind of architecture is not simply about celebrating modernity or criticising luxury. It is about recording what I see and leaving room for questions. The buildings are impressive, the ambition is unmistakable, and the contrast between appearance and reality is part of what makes Dubai such a compelling subject.

When you see these huge structures in Dubai, do you think first of progress and innovation, or do you also wonder about the cost of maintaining such a luxurious urban landscape? Add a comment or go to the bottom of the site to read what other visitors have written.

Modern commercial complexes and striking urban architecture in Dubai, reflecting the city's luxury-focused development

Add one  comment to this article or read  here what other visitors have written.
 
Adv
 
Disclamer

The rights on images, videos, choruses, text and all other material on the LUCADEA.com website are governed as per  Copyright page.


This page has been viewed 0 times today.
This month it has been viewed 0 times.
In total it has been viewed 0 times.
 

Fiumara Shopping Centre in Genoa

Centro commerciale Fiumara a Genova con gli spazi moderni dello shopping in Liguria

Fiumara Shopping Centre in Genoa.
Among the modern buildings of Sampierdarena, I stopped to look at one of the places for shopping in Genoa that may not immediately come to mind when thinking about the city. My photograph of Fiumara Shopping Centre is about this less familiar side of Genoa, away from the historic palaces and narrow streets that usually dominate photographs of the city.
When I think about what to see in Genoa, I naturally think of the old town, the harbour, the historic buildings and the many corners I have photographed over the years. But a city is also made of everyday places. Shopping centres, modern buildings and areas shaped by urban change can say something about the present just as older architecture tells us about the past.
Fiumara Shopping Centre is in the Sampierdarena area of Genoa, Liguria, Italy. Its position in the western part of the city makes it part of a very different urban landscape from the historic centre. If you are looking for where Fiumara Shopping Centre is in Genoa, Sampierdarena is the useful reference point, and the area itself helps put the building into the wider story of the city.
What caught my attention was not simply the fact that this is a shopping centre, but the way its modern architecture fits into the surrounding urban landscape. I wanted the photograph to show a contemporary side of Genoa that is easy to overlook when searching for the more traditional images of the city.
This is a photograph I took myself with my Honor 20. I did not set out to create a formal architectural record. Instead, I noticed the place while I was there and decided to stop and photograph it. That is one of the things I enjoy most about photography: a subject does not always have to be famous or spectacular. Sometimes an ordinary building becomes interesting simply because you decide to look at it carefully.
There is also a small detail about the name Fiumara that I find worth remembering. The name is connected with the history of this part of Genoa and with the watercourse that once characterized the area. It is a simple connection, but it gives the present-day landscape another layer of meaning.
Sampierdarena has experienced major urban changes over time, and the mixture of different buildings and functions visible today is part of that transformation. I prefer not to turn the photograph into a historical explanation, because the image itself remains the centre of the story. For me, the modern structure is interesting precisely because it belongs to the Genoa of everyday life.
If you are visiting Genoa and wondering what is worth seeing beyond the usual historic landmarks, places like this can offer a different perspective. They may not be traditional attractions, but they help reveal how the city works and how its landscape continues to change.
This photograph also connects naturally with other images I have taken around Genoa. I think especially of my photograph of the rooftops of central Genoa seen from Castelletto. That view shows the historic and compact side of the city from above, while Fiumara gives me the chance to look at a much more contemporary part of the same urban landscape.
The contrast between those two photographs is something I like. Genoa is not only its old streets, churches and historic buildings. It is also the modern city, the commercial areas, the buildings people use every day and the spaces that have changed together with the habits of its residents.
For anyone looking for practical information about the shopping centre, the official Fiumara website is the better place to check current details about shops, services and opening hours. Here, however, I prefer to keep the focus on the photograph and on the reason why this ordinary urban scene caught my attention.
That is ultimately what I try to do with photographs like this one: keep a visual record of Genoa as I actually encounter it, including the places that might otherwise be ignored. Fiumara is part of that everyday Genoa, and photographing it gives me another way to understand the city beyond its most recognizable views.

Have you ever photographed an ordinary place in your city that most people usually overlook? Add a comment or go to the bottom of the site to read what other visitors have written.

Fiumara Shopping Centre in Genoa with modern shopping spaces and contemporary urban architecture in Sampierdarena

Photo taken with Honor 20.

Dante Boulevard in Sestri Levante, a Changing Street

Il centrale Viale Dante a Sestri Levante

Dante Boulevard in Sestri Levante, a Changing Street.
Walking along Dante Boulevard, my attention follows the straight line of the road from the historic centre towards the Gromolo stream. This street scene in Sestri Levante, Liguria, Italy, shows a quieter side of the town, away from the familiar coastal views and photographs of the Bay of Silence. Here, the character of the place emerges through the renewed paving, the young trees and the elementary school buildings on the left-hand side.
I took this photograph to capture the perspective of the road and the way its different elements fit together. The long stretch of pavement draws the eye forward, while the trees create a repeating rhythm along the street. The buildings and paved surfaces give the scene a distinctly urban character, reminding me that a town is not defined only by its best-known landmarks. Its identity also comes from the streets people use every day, often without paying much attention to their surroundings.
Dante Boulevard connects the historic centre with the area leading towards the Gromolo stream. Along this stretch, the elementary schools are an important local reference point. The road serves a practical purpose for residents, families and students moving around Sestri Levante. Rather than presenting a postcard view, this photograph records a familiar part of town where everyday routines meet the gradual transformation of the urban environment.
The paving was renewed a few years ago, and the updated layout includes a short cycle lane and a row of young trees. These additions reflect an attempt to improve the street and introduce more greenery into the urban landscape. The cycle lane, however, raises a practical question: how useful is a short stretch of cycling infrastructure if it does not connect easily with a wider network? Its usefulness depends not only on its presence but also on whether cyclists can continue their journeys conveniently beyond this section.
That contrast between urban renewal and everyday usability is one of the details I wanted to preserve in this photograph. The new paving gives the street a more orderly appearance, while the trees introduce an element that will gradually change as they grow. At the same time, the road must continue to serve the people who use it, whether they are walking to school, crossing the neighbourhood or cycling to another part of town.
From a photographic point of view, the perspective is what makes this scene interesting. The lines of the road guide the eye into the distance, connecting the buildings, pavement and trees within a single composition. No individual element needs to dominate the frame. Instead, the relationship between the different parts gives the image its structure. The young trees are particularly noticeable because they suggest a landscape still in progress. Their appearance today is only one stage in the development of the street, and their contribution to its character may become more evident as they mature.
If you are wondering what to see in Sestri Levante beyond its beaches and seafront, Dante Boulevard offers a glimpse of how the town functions away from its busiest visitor areas. It may not be a landmark that people specifically seek out, but it is one of those ordinary places that help explain the relationship between the historic centre and the surrounding neighbourhoods. For anyone interested in everyday urban life in Liguria, a street like this can be just as revealing as a more recognisable view.
Sestri Levante is often associated with its coastline, narrow streets and waterfront scenery. When I photograph the town, however, I also like to pay attention to less celebrated spaces. They show how public areas evolve through maintenance, new paving, planting and attempts to accommodate different forms of transport. These changes may seem modest, but they influence how residents experience their surroundings over time.
This photograph also connects naturally with other urban views shared on Lucadea.com, where I document streets, buildings and details encountered while exploring Liguria. Together, these images offer a broader record of the region, balancing well-known destinations with places that might otherwise remain unnoticed. My aim is not to turn every street into an attraction, but to preserve a personal observation of the environment as I found it.
One detail worth considering is the relationship between the young trees and the renewed street. Urban trees need time and suitable growing conditions to provide shade and become an established part of the streetscape. Their presence is therefore more than a decorative addition: over the years, they can influence the appearance of the road and the experience of people walking along it. In this photograph, they also provide a visual rhythm that helps emphasise the length and direction of the boulevard.
For me, Dante Boulevard is an example of how an ordinary street scene can hold photographic interest without relying on dramatic scenery. The renewed surface, the line of trees and the presence of the elementary schools give the image a clear sense of place. It records a particular stage in the street’s development and leaves room for the landscape to change in the years ahead.
Photographing places like this is also a way of documenting the everyday appearance of Sestri Levante. A familiar road may change gradually, and details that seem unremarkable today can become part of the town’s visual history. By keeping these moments in a personal photographic archive, I can return to them later and compare how the streets and public spaces evolve.

What do you think of the changes to Dante Boulevard, especially the short cycle lane and the newly planted trees? Add a comment or go to the bottom of the site to read what other visitors have written.

Dante Boulevard in Sestri Levante with renewed paving, young trees, a short cycle lane and elementary school buildings along the street

Photo taken with Canon EOS RP camera and Canon RF 24-50 lens.

Here’s where I took the shot:

A Glimpse of Rationalist Architecture in Nervi

Un palazzo in stile razionalista a Genova Nervi

A Glimpse of Rationalist Architecture in Nervi.
Walking along Via Guglielmo Oberdan in Genoa’s Nervi district, I came across a building whose straightforward forms offer a different perspective on this well-known seaside neighborhood. When thinking about things to see in Nervi, many people naturally picture coastal paths, historic villas and green parks. Yet examples of Rationalist architecture in Nervi add another layer to the area’s identity, one that can easily go unnoticed among its better-known attractions.
Nervi is part of Genoa, in Liguria, northwestern Italy. Its reputation is closely tied to the sea, landscaped parks and historic residences, but its streets also preserve traces of changing architectural ideas. Moving through the neighborhood means encountering different periods and styles within a relatively small area. This contrast is part of what makes looking at its buildings worthwhile: the familiar image of a coastal destination exists alongside a more restrained, modern architectural language.
The building on Via Guglielmo Oberdan caught my attention because of the way its overall shape and surfaces invite a closer look. Rationalist architecture generally favors clear geometry, functional planning and a deliberate reduction of unnecessary decoration. Instead of relying on elaborate ornaments, its visual character often comes from the relationship between volumes, openings and the organization of the facade. These qualities can be appreciated in everyday streets as well as in celebrated architectural landmarks.
I took this photograph to draw attention to a side of Genoa that may be overlooked when a visit to Nervi revolves around the waterfront or the best-known historic sites. Architectural photography encourages me to pause and examine the built environment rather than simply pass through it. Framing a building allows its proportions and visual structure to become more apparent, even when the subject is part of an ordinary urban setting rather than a major monument.
Italian Rationalism developed mainly during the 1920s and 1930s, when architects explored modern ways of designing buildings through functional planning and simplified forms. New construction methods and materials, including reinforced concrete, helped make different structural arrangements possible. Although Rationalist buildings vary considerably in appearance, an emphasis on geometric clarity and the relationship between form and purpose remains a useful starting point for understanding the movement.
If you are visiting Genoa and wondering what to see beyond its coastal scenery, looking at the architecture of Nervi can offer an unexpected perspective. The neighborhood’s appeal is not limited to its parks, villas and sea views. Ordinary streets can also reveal how architectural ideas shaped the urban landscape, sometimes through buildings that receive little attention from passers-by. This example on Via Guglielmo Oberdan is a reminder that a place can be understood through more than its most famous views.
What interests me most about this kind of subject is the opportunity to notice something familiar in a new way. A building does not need to dominate a square or stand out through elaborate decoration to become an interesting photographic subject. Its lines, proportions and relationship with the surrounding street may be enough to hold my attention. In this respect, the photograph connects naturally with other Lucadea.com stories about urban details and the buildings encountered while exploring Italian cities.

Looking at Nervi through architecture alongside its natural and historical attractions creates a more complete impression of the neighborhood. It also encourages a slower way of exploring, where attention shifts from one landmark to the details that might otherwise be missed. Have you ever discovered an interesting building while walking through a place better known for its landscape or history? Add a comment or go to the bottom of the site to read what other visitors have written.

Rationalist-style building on Via Guglielmo Oberdan in Nervi, Genoa, showing the clean geometry of modern Italian architecture

Photo taken with Canon EOS RP and Canon RF 28 lens.

To see all the photos of Nervi, click here:

Where is this building located?

New buildings in Sestri Levante and mixed views

case nuove

New buildings in Sestri Levante and mixed views.
New buildings in Sestri Levante what to see has quietly become part of the conversation as I walk past these recent constructions, and modern architecture in Sestri Levante feels like something you notice even when you’re not looking for it. Among the things to see in Sestri Levante, these newer structures stand out in a way that feels almost unavoidable.
As I move along the street, my eyes are drawn to the clean lines and fresh surfaces. Everything looks precise, finished, almost too perfect compared to the older parts of town. There’s no trace of time yet, no layers of life built up on the walls. It’s a different kind of presence, one that hasn’t fully settled in.
Here in Sestri Levante, Liguria, Italy, the contrast becomes even more apparent if you’ve spent time wandering through the historic center. I remember photographing narrow alleys and aged facades in another post on the blog, and that memory comes back now, making these modern buildings feel even more distinct.
If you are visiting Sestri Levante, this is one of those subtle aspects you might not expect but will definitely notice. It’s not about landmarks or famous views, but about how a place evolves. Modern architecture in Sestri Levante what to see becomes part of a broader story about change.
Some people don’t like these buildings at all. Others, like me, slowly get used to them. There’s something interesting in that shift—from rejection to quiet acceptance. It happens gradually, almost without realizing it.
A small detail worth noting is that in recent years, construction here has increased significantly, largely driven by tourism and the demand for second homes. That explains why these new developments are becoming more common and more visible.
As I keep walking, I realize I no longer react the same way I did the first time I saw them. They’ve become part of the scenery, even if they still feel slightly out of place. And maybe that’s the point: they tell a different chapter of the same place.

Do you think you would eventually accept a change like this, or would it always feel out of place? Add a comment or go to the bottom of the site to read what other visitors have written.

case nuove

Where to find them:

New buildings in Sestri Levante and mixed opinions – Nouvelles maisons à Sestri Levante entre opinions – Nuevas casas en Sestri Levante entre opiniones – Novas casas em Sestri Levante entre opiniões – Neue Häuser in Sestri Levante und unterschiedliche Meinungen – Những ngôi nhà mới ở Sestri Levante với nhiều ý kiến khác nhau – 塞斯特里莱万特的新房子与不同看法 – セストリ・レヴァンテの新しい家々とさまざまな意見

The text of this post was written with the help of ChatGPT, a language model from OpenAI.

🏠
  • Italiano