Walking under the arcades of Via XX Settembre

Portici di via XX Settembre a Genova con palazzo decorato giallo e autobus che passa tra le colonne

Walking under the arcades of Via XX Settembre.
Walking under the arcades of Via XX Settembre in Genoa is one of those simple experiences that immediately shows what to see in Genoa without going far. This view of Via XX Settembre in Genoa captures both the elegance of the architecture and the everyday rhythm of the city.
I found myself standing between two large columns, almost hidden, watching the sunlight fall across the façade of the building in front of me. The details of the balconies and decorative elements drew my eyes upward, while below, the movement of buses and people reminded me that this is a living, breathing street. It’s a place where the past and present coexist naturally.
This scene is located in Genoa, Liguria, Italy, right in the heart of one of the most important streets in the city. If you are visiting Genoa, Via XX Settembre is definitely one of the most interesting places in Genoa to explore, not only for shopping but for its architecture. The arcades are among the longest in Europe, originally designed to protect pedestrians while enhancing the visual harmony of the street.
While taking this photo, I was reminded of another shot I had shared on my site from a quieter corner under similar arcades. Here, however, everything feels larger and more dynamic, almost like a stage where the columns frame the scene and the street becomes the action.
The passing bus added a contemporary touch to the scene without disrupting its balance. Instead, it highlighted the contrast between historic buildings and modern life, something that makes this street unique.

Have you ever looked up while walking through a busy street and suddenly noticed something you had never seen before? Add a comment or go to the bottom of the site to read what other visitors have written.

Portici di via XX Settembre a Genova con palazzo decorato giallo e autobus che passa tra le colonne

Photo taken with Canon EOS R50 V and lens Canon RF 28.

I portici di via XX Settembre a Genova – The arcades of via XX Settembre in Genoa – Les arcades de la via XX Settembre à Gênes – Los soportales de via XX Settembre en Génova – As arcadas da via XX Settembre em Gênova – Die Arkaden der Via XX Settembre in Genua – Các mái vòm của via XX Settembre ở Genoa – 热那亚二十世纪大街的拱廊

The text of this post was written with the help of ChatGPT, a language model from OpenAI.

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Architectural detail on XX Settembre street buildings

Fregio decorativo in un palazzo di via XX Settembre a Genova con motivi floreali scolpiti e segni del tempo

Architectural detail on XX Settembre street buildings.
Walking along XX Settembre street in Genoa, one of the things that always captures my attention is the presence of decorative friezes, those subtle architectural details that many people overlook but that truly define the character of the street; noticing architectural details in Genoa is one of the most interesting things to do if you are visiting Liguria and want to discover more than just the main attractions. It only takes a moment to slow down and really look.
In this photo, I focused on a decorative element with floral patterns, slightly worn by time but still full of personality. Architectural details like these are scattered all along the street, telling stories of craftsmanship and design. We are in Genoa, Liguria, Italy, and this kind of ornament belongs to a long tradition you can still see if you take the time to observe carefully.
What fascinates me most is the contrast between the busy street life and the stillness of these decorations. People walk by quickly, rarely looking up, while these elements remain unchanged, quietly witnessing everything. If you are looking for what to see in Genoa beyond the usual landmarks, paying attention to these details is definitely worth it.
This reminds me of another post I shared on the site about hidden architectural elements in the historic center, because that’s often what I enjoy capturing the most. Not just wide views, but the smaller, overlooked pieces that give a place its identity.
A small curiosity: XX Settembre street is one of the main streets in Genoa, developed between the 19th and 20th centuries, and many of its buildings feature Liberty or neoclassical decorations, reflecting a period of urban expansion.
I pause for a few seconds, observing the shapes and the marks left by time. These are the details that stay with you.

Do you ever stop and notice these small elements while walking through a city? Add a comment or go to the bottom of the site to read what other visitors have written.

Fregio decorativo in un palazzo di via XX Settembre a Genova con motivi floreali scolpiti e segni del tempo

Photo taken with Canon EOS R50 V and lens Canon RF 28.

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Santo Stefano Abbey above XX Settembre Street

Abbazia di Santo Stefano a Genova sopra via XX Settembre, vista dalla terrazza vicino al Ponte Monumentale

Santo Stefano Abbey above XX Settembre Street.
In the heart of busy Genoa, just above XX Settembre Street, I found a church that seems to carve out a quiet space above one of the city’s busiest streets. If you are looking for things to see in central Genoa, this is one of those places that can appear almost unexpectedly after climbing just a few steps near the Monumental Bridge.
The change happens very quickly. A moment earlier I was surrounded by the movement of the street, shops, traffic and the imposing buildings of this part of the city. Then, after a short flight of steps, I reached the terrace where Santo Stefano Abbey stands, and the atmosphere felt completely different.
That contrast was what made me want to take this photograph. On one side there is the historic abbey, while on the other are the elegant buildings along XX Settembre Street. It is not one of Genoa’s huge monumental squares, nor is it necessarily the first place that comes to mind when thinking about the city. For me, that is precisely what makes the view worth noticing.
The photograph was taken in Genoa, Liguria, Italy, right in the center of the city, from a point where the historic church can be seen together with the architecture of the surrounding urban landscape. If you are wondering where Santo Stefano Abbey is, one useful reference is XX Settembre Street near the Monumental Bridge. From street level, the small staircase leading to the terrace is easy to miss.
This location says something I particularly like about Genoa. Historic buildings are not always presented through large, carefully arranged spaces. Sometimes you have to walk into an alley, cross a street, climb a staircase or simply look above street level before discovering something worth photographing.
Santo Stefano Abbey has very ancient origins and is one of Genoa’s historic churches. Its history is also connected with the Doria family, and according to tradition Christopher Columbus was baptized here. It is a small historical detail, but one that gives the building another layer of meaning without taking the photograph away from the place itself.
What interests me most, however, is the way the abbey exists alongside the city that developed around it. XX Settembre Street is one of the major streets in central Genoa, and its buildings belong to a very different period from that of the abbey. In the photograph, these different moments of the city seem to meet within a very small area.
This is one of the reasons I enjoy photographing Genoa. I do not always look for the most famous monument or the view that everyone immediately recognizes. Sometimes a less obvious perspective is much more interesting, especially when it reveals something about how the city is actually experienced by the people who live there.
From this terrace, the church almost becomes a small balcony overlooking the surrounding city. The abbey is on one side, the elegant buildings of XX Settembre Street on the other, while everyday Genoa continues moving below.
I have found the same kind of character in other photographs I have published from Genoa, especially those showing its alleys and less obvious corners. In those images, as in this one, I like the idea of showing a city that does not need to be staged. It only needs someone to stop for a moment and notice what is already there.
One of the things I like most about this particular spot is how easy it is to reach. There is no long walk or complicated detour. Near the Monumental Bridge, a few steps are enough to leave the level of the street and arrive at a completely different viewpoint.
That small change in elevation makes the area feel surprisingly layered. An old church, a major urban street, elegant historic buildings and a quiet terrace all coexist within a very short distance.

Have you ever noticed this terrace above XX Settembre Street, or have you also walked past Santo Stefano Abbey without realizing that this viewpoint was just a few steps away? Add a comment or go to the bottom of the site to read what other visitors have written.

Santo Stefano Abbey in Genoa above XX Settembre Street, seen from the terrace near the Monumental Bridge

Photo taken with camera Canon EOS M100 and lens Canon EF-S 10-18.

Here is where the church is located:

The High Altar of Santo Stefano Church

Altare Maggiore della chiesa di Santo Stefano a Genova, fotografato all’interno durante una visita

The High Altar of Santo Stefano Church.
I had spent many years looking at Santo Stefano Church from the outside, often from its large terrace while photographing Via XX Settembre from above. Yet I had only rarely managed to step inside. For anyone wondering what to see in Genoa when exploring its historic churches, this is one of those places that can look completely different once you finally cross the entrance.
I had visited the terrace many times with my camera, using the elevated viewpoint to photograph the city below. The interior, however, remained something I knew mostly by reputation rather than personal experience. It was one of those curious situations in which I had photographed the same building repeatedly without really knowing what was behind its entrance.
A while ago, I finally had the opportunity to visit Santo Stefano Church thanks to the “Le chiese dei Rolli” event. The visit changed my perception of the building almost immediately. After being so familiar with the terrace and its view, entering the church revealed a very different atmosphere and a much stronger sense of architectural scale.
The High Altar was the detail I chose to photograph. I was drawn to the way it occupies the space without relying on an overwhelming amount of decoration. The interior felt relatively spare, but at the same time monumental, and I wanted the photograph to retain that contrast rather than reducing the scene to a simple image of the altar itself.
I took this photograph myself during that visit. After so many photographs taken from the terrace, it was satisfying to finally turn the camera towards the interior and concentrate on something I had overlooked for so long. The image is therefore connected not only to the church itself, but also to the memory of all those previous visits when I had remained outside.
Santo Stefano Church is in Genoa, Liguria, Italy, in a well-known part of the city associated with Via XX Settembre and its elevated terrace. If you are visiting Genoa and looking for historic churches worth seeing, the building is interesting not only because of its exterior position in the city, but also because of the scale and character of its interior.
What stayed with me most was the combination of simplicity and size. There was no need for a crowded composition or an excess of visual details. The architectural structure itself created the atmosphere, while the High Altar provided a natural point towards which the eye could move.
There is also a small historical connection worth mentioning. Santo Stefano is one of Genoa’s historic religious buildings and its position along an important urban route has made it a recognizable part of the city’s landscape for centuries. The “Le chiese dei Rolli” event gave me the chance to experience this familiar building from a completely different perspective.
That is also why I find this photograph particularly meaningful. I have often written about Genoa through small details and views discovered while walking around the city, and Santo Stefano fits naturally into that collection. Sometimes a familiar location still has something new to offer simply because we change the way we approach it.
The terrace had always been my reason for coming here. I would look towards Via XX Settembre, frame the view and take my photographs, rarely thinking about the interior behind me. This time, however, the camera followed me inside, and the experience became a continuation of those earlier photographs rather than something completely separate.
I have collected the other images from this visit in the dedicated Santo Stefano Church photo gallery. Looking through the full collection gives a broader idea of the interior and of the details I noticed during the visit.
The opportunity to enter the church came through the “Le chiese dei Rolli” event, which opens historic religious buildings to visitors on specific occasions. For information about future editions and possible openings, the useful reference is Visit Genoa.
Looking back at this image, I still find it slightly amusing that I spent so much time photographing Santo Stefano from the terrace before finally discovering what the church looked like from inside. It was a reminder that even familiar places can change when we simply cross a doorway.

Have you ever photographed a building from the outside for years before finally discovering its interior? Add a comment or go to the bottom of the site to read what other visitors have written.

High Altar inside Santo Stefano Church in Genoa, photographed during a visit to the historic building

Photo taken with Canon EOS M100 and lens Canon EF-M 11-22.

XX September Street in Genoa from Santo Stefano

Palazzi di Via XX Settembre a Genova osservati dall'alto del sagrato della chiesa di Santo Stefano

XX September Street in Genoa from Santo Stefano.
Whenever I find myself on XX September Street, I often take a few minutes to walk up to Santo Stefano church, because the view changes completely from there. From above, the buildings along XX September Street become the main subject, creating a perspective that is very different from the one you get while walking at street level.
It is one of my favorite viewpoints for photographing XX September Street in Genoa, mainly because there is no complicated route to find. If you are walking uphill, just after the Monumental Bridge, a small staircase leads to Santo Stefano church. It does not look particularly inviting at first, but reaching the top reveals a view that makes those few steps worthwhile.
The real surprise is the churchyard itself. Rather than feeling like an ordinary space in front of a church, it works almost like a terrace overlooking one of the main streets of Genoa. From here, the buildings along XX September Street can be seen from a completely different angle, and the road becomes an important visual line running through the scene.
This is Genoa, Liguria, in northwestern Italy, and XX September Street crosses one of the city’s central areas. At street level, the road is strongly associated with the busy urban character of Genoa, while from Santo Stefano the same place becomes quieter and easier to observe as a whole.
I took this photograph myself from the churchyard of Santo Stefano. Whenever I have the opportunity, I stop here to photograph the street and its buildings from above. Even though I have already taken several pictures from this viewpoint, I never find it completely repetitive. A small change in the framing is enough to bring different buildings, details or portions of the street into the composition.
What I particularly like about this perspective is the way the architecture becomes easier to read. From below, the buildings can feel imposing because they rise directly above the pedestrian and traffic levels. From the churchyard, their façades form a long sequence, with windows, balconies and decorative elements contributing to one broad urban pattern.
The relationship between Santo Stefano and the street is also quite unusual. The church is just a short distance from one of Genoa’s busiest central streets, yet the elevated churchyard creates a completely different atmosphere. You can look down towards the city while remaining in a much more enclosed and peaceful setting.
A small historical curiosity adds another layer to the place: Santo Stefano is a very old church, with origins going back many centuries. Its position has therefore remained closely connected with the development of central Genoa, even though the urban surroundings have changed considerably over time.
If you are visiting Genoa and wondering what to see beyond the most obvious landmarks, this is one of the viewpoints I would keep in mind. The churchyard of Santo Stefano offers a particularly useful perspective if you want to photograph XX September Street without leaving the center of the city.
For me, however, the attraction is not only the viewpoint itself. It is also the little discovery involved in reaching it. Walking along the street, the staircase is easy to overlook, and its appearance does not immediately suggest that something interesting is waiting at the top. Once you arrive at the church, the view suddenly makes sense.
Looking at the photograph again, I like the way the street seems to guide the eye between the rows of buildings. The elevated position changes the proportions of the scene and makes it possible to appreciate the architecture as a continuous urban landscape rather than as a series of separate façades.
This photograph naturally connects with other images I have published on the site about Genoa and its central streets. I often return to familiar parts of the city precisely because a different viewpoint can turn an ordinary route into a new photographic subject.
That is probably why, whenever I can, I still make the short climb to Santo Stefano when I happen to be on XX September Street. The staircase may not promise much at first glance, but the small church and its terrace-like churchyard offer one of those viewpoints that I am always happy to photograph again.

Have you ever looked at XX September Street from the churchyard of Santo Stefano? Add a comment or go to the bottom of the site to read what other visitors have written.

Buildings along XX September Street in Genoa seen from the elevated churchyard of Santo Stefano

Photo taken with a Canon EOS M100 camera and a Canon EF-M 11-22 lens.

Here is where this spot in Genoa is located:

The motto of Genoa in XX Settembre Street

Scritta latina con il motto di Genova e grifone sopra una volta in marmo in via XX Settembre

The motto of Genoa in XX Settembre Street.
While walking along XX Settembre Street, one of the main and most elegant streets of the city, I noticed a Latin inscription placed above one of the many marble vaults decorating the arcades.
The sentence reads: “Griphus ut has angit, sic hostes Ianua frangit”, which can be translated as: “Just as the griffin grips these, so Genoa crushes its enemies.” It is a strong and meaningful phrase that reflects the proud and powerful spirit of the city.
Curious about its meaning, I searched for more information and discovered that it is one of the oldest mottos of Genoa, often referred to as La Superba. This is not just a decorative detail, but a symbol deeply connected to the city’s historical identity and its past as a powerful maritime republic.
Next to the inscription there is also an image of a griffin, a mythological creature that combines the features of an eagle and a lion. In this case, it is depicted clutching an eagle and a fox, reinforcing the symbolic message of strength, control and dominance expressed by the motto.
Walking under the arcades of XX Settembre Street, it is easy to get distracted by shops and the movement of people, but simply looking up can reveal hidden artistic and historical details. This is one of the most fascinating aspects of Genoa: a city that reveals its character through small elements that are often overlooked.
On my blog I often share details and glimpses of the city, and each time there is always something new to discover. Even a simple walk can turn into a small and unexpected historical discovery.

Have you ever noticed this inscription while walking under the arcades? Add a comment or scroll down to read what other visitors have written.

Latin motto of Genoa with griffin on a marble vault in XX Settembre Street

Photo taken with a Canon EOS M100 camera and a Canon EF-S 10-18 lens.

Since it really piqued my curiosity, I looked into it further and found this great page that covers the topic in more detail: amezena.net.

The portico of Ceccardo Roccatagliata Ceccardi Street

Portico di Via Ceccardo Roccatagliata Ceccardi a Genova con architettura storica e passaggio coperto

The portico of Ceccardo Roccatagliata Ceccardi Street in Genoa.
Whenever I walk along XX Settembre Street in Genoa, I often find myself looking upward to enjoy the architectural details that make this avenue so distinctive. Between elegant buildings, arcades, and hidden decorations, every walk can become an opportunity to discover something new.
This portico on Ceccardo Roccatagliata Ceccardi Street in Genoa is one of those passages that may receive less attention than the city’s most famous buildings, but it helps create the unique atmosphere of the area. The covered structure connects the arcade system of XX Settembre Street with the side street leading toward Dante Square, creating a space where architecture and urban movement meet.
When I took this photograph, I was fascinated by the shape of this place. I was not even sure which was the correct word to describe it: portico, archway, or simply a covered passage? Perhaps this uncertainty is part of its charm, because cities are full of elements we use every day without knowing their exact names.
Ceccardo Roccatagliata Ceccardi Street is located in the center of Genoa, Liguria, Italy, in an area where nineteenth and twentieth-century architecture left many important traces. Walking here means observing not only large façades, but also the connections between streets, covered walkways, and urban spaces designed for everyday life.
A small curiosity is that the street is dedicated to Ceccardo Roccatagliata Ceccardi, a Genoese poet who lived between the nineteenth and twentieth centuries and became an important figure in Ligurian literature.
This photograph reminded me of other articles on the site about Genoa’s narrow streets and architecture, because often the less celebrated corners are the ones that reveal the true character of a city.

Have you ever looked up while walking and discovered an architectural detail you had always overlooked? Add a comment or go to the bottom of the site to read what other visitors have written.

Portico di Via Ceccardo Roccatagliata Ceccardi a Genova con architettura storica e passaggio coperto

Photo taken with Canon EOS RP and Canon RF 24-50 lens.

Here’s where the exact spot is:

Ceccardo Roccatagliata Ceccardi (Genoa, January 6, 1871 – Genoa, August 3, 1919) was an Italian poet. He was a precursor of 20th-century Ligurian poetry, ranging from Camillo Sbarbaro to Eugenio Montale, but his work also encompasses Carducci’s influences and decadent anxieties that hark back to Pascoli, D’Annunzio, and the French Symbolists. His finest compositions exhibit a tense lyricism that at times calms down in elegant elegiac movements or in intense evocations of the Ligurian landscape.
Continue and learn more at Wikipedia

The portico of Ceccardo Roccatagliata Ceccardi Street in Genoa – Le portique de la rue Ceccardo Roccatagliata Ceccardi à Gênes – El pórtico de la calle Ceccardo Roccatagliata Ceccardi en Génova – O pórtico da rua Ceccardo Roccatagliata Ceccardi em Génova – Der Arkadengang der Ceccardo Roccatagliata Ceccardi Straße in Genua – Mái vòm đường Ceccardo Roccatagliata Ceccardi ở Genoa – 热那亚切卡尔多·罗卡塔利亚塔·切卡尔迪街的拱廊 – ジェノヴァのチェッカルド・ロッカタリアータ・チェッカルディ通りのポーチ

The text of this post was written with the help of ChatGPT, a language model from OpenAI.

A building in the historic center of Lavagna

Palazzo in via XX Settembre nel centro storico di Lavagna con facciate tipiche liguri e atmosfera urbana tranquilla

Walking through the small streets of Lavagna, the XX Settembre Street runs quietly through the town center, almost discreet in its presence, yet it holds some of the most interesting architectural details of the area. The historic center of Lavagna is not very large, and this compact dimension makes it feel more readable, almost like a sequence of small urban fragments that reveal themselves step by step. Without EXIF data available for this shot, I rely entirely on the memory of the scene and the impression that this building left on me.
This building in the historic center of Lavagna stands along XX Settembre Street with a calm and balanced presence. Lavagna, Liguria, Italy, shows here its everyday character, where façades alternate between simple lines and more refined architectural details. As I walk through the historic center of Lavagna, I notice how every building contributes to a coherent atmosphere, without excess but with a strong local identity that feels authentic and lived-in.
What strikes me about this building in the historic center of Lavagna is its sense of proportion and the way it interacts with the slow rhythm of the street. It never tries to dominate the surroundings, yet it naturally draws attention. It reminds me of other walks documented on this blog, especially in smaller Ligurian towns, where urban space always feels human-scaled and intimate.
There is also a historical layer to this place: Lavagna is closely linked to the Fieschi family, one of the most influential noble families in medieval Liguria, who shaped much of the territory’s development over the centuries. This adds depth to what might otherwise seem like a simple residential setting.
Standing here, I realize that the historic center of Lavagna often reveals its character through the smallest details rather than grand gestures. This building in the historic center of Lavagna becomes part of that quiet narrative, where observation replaces movement and time feels slower than elsewhere.

Have you ever noticed a building that made you stop just because something about it felt quietly different? Add a comment or go to the bottom of the site to read what other visitors have written.

Palazzo in via XX Settembre nel centro storico di Lavagna con facciate tipiche liguri e atmosfera urbana tranquilla

Photo taken with Canon EOS RP camera and Canon RF 24-50 lens.

Here’s where this building is located:

Un palazzo nel centro storico di Lavagna – A building in the historic center of Lavagna – Un immeuble dans le centre historique de Lavagna – Un edificio en el centro histórico de Lavagna – Um edifício no centro histórico de Lavagna – Ein Gebäude im historischen Zentrum von Lavagna – Một tòa nhà ở trung tâm lịch sử Lavagna – 拉瓦尼亚历史中心的一座建筑 – ラヴァーニャ旧市街の建物

The text of this post was written with the help of ChatGPT, a language model from OpenAI.

Fieschi street in the heart of modern Genoa

Via Fieschi a Genova nel cuore moderno tra Via XX Settembre e salita verso Carignano e la basilica

Fieschi street in the heart of modern Genoa.
Walking through this part of the city, I found myself looking at a very different side of Genoa from the one usually associated with narrow medieval alleys, historic palaces and the waterfront. This photograph shows Fieschi street, an elegant urban road in central Genoa where another side of the city becomes visible through its buildings, shops and everyday activity.
I took this photograph myself while walking through Genoa, stopping to look at the perspective created by the street and its architecture. What caught my attention was the contrast between this part of the city and the older historic centre. A short walk can completely change the atmosphere, taking you from narrow alleys to wider streets and a more contemporary urban landscape.
Fieschi street is in central Genoa, Liguria, Italy, connecting the area around Dante square with the central streets leading towards Paolo da Novi square and XX Settembre avenue. If you are visiting Genoa and wondering what to see beyond the best-known landmarks, this is an interesting street to encounter while walking through the central districts, especially because it connects several important areas of the city.
In the photograph, what interests me most is the perspective. The buildings guide the eye forward and create a sequence of façades in which homes, businesses and offices share the same urban space. There is no single monument dominating the composition. Instead, the photograph is about the city itself and the ordinary rhythm of a central Genoese street.
The name Fieschi street refers to one of the most influential noble families in Genoese history. The Fieschi were a powerful aristocratic family from Liguria, connected with the history of nearby Lavagna and deeply involved in the political life of the Republic of Genoa. Among the family’s most important figures was Sinibaldo Fieschi, who became Pope Innocent IV in the thirteenth century. It is only a small historical detail, but it shows how the names of powerful families from the past remain present throughout the streets of Genoa and the surrounding region.
This connection between the present city and its older history is one of the things I enjoy noticing while walking through Genoa. A street can look completely contemporary, yet its name may refer to people and events from centuries ago. The city is full of these layers, and photography often gives me a reason to stop and pay attention to them.
The area is also close to XX Settembre avenue, one of Genoa’s main commercial streets. From here, it is possible to continue towards De Ferrari square and the historic centre or explore other central neighbourhoods. For anyone interested in discovering Genoa on foot, routes like this make it possible to move naturally between modern streets, historic buildings and older alleys without following a rigid itinerary.
I have photographed several other parts of Genoa for my photoblog, and I like connecting these stories because the city changes dramatically from one neighbourhood to another. Some of my photographs focus on the historic centre and its narrow alleys, creating a very different visual atmosphere from this image. Together, however, they show the same city from different perspectives.
When I photograph Genoa, I am often interested in this contrast. On one side are the medieval alleys, the historic palaces and the narrow streets that made the old centre famous. On the other are streets such as Fieschi street, where traffic, shops and more recent buildings show a city that has continued to evolve.
The movement of people and changing light can completely alter the feeling of a street, but for this photograph I preferred to concentrate on the urban structure itself. The lines of the buildings, the depth of the road and the succession of façades were enough to recreate the impression I had while walking here.
If you are wondering where Fieschi street is in Genoa, it is centrally located and easy to include in a wider walk through the city. I would not necessarily consider it a destination on its own, but rather an interesting part of an urban route while exploring central Genoa.
This is also why I continue photographing streets that might initially seem ordinary. A photoblog does not have to show only famous monuments. Sometimes an image of a normal city street can say more about a place, particularly when it shows architecture, commerce and everyday life sharing the same space.
Looking at this photograph again, I think about a side of Genoa that can remain hidden behind the more traditional images of the city. It is the Genoa of daily journeys, streets crossed every day and buildings that people may pass without stopping to look at them. Photographing these places is also a way of preserving small fragments of the city before they become simply part of memory.
Fieschi street therefore seemed like a good place from which to photograph this particular side of Genoa: modern without being completely detached from history, central without having the monumental appearance of the city’s most famous squares.

When you walk around Genoa, do you prefer the historic alleys, or do you enjoy discovering the city’s more modern central streets as well? Add a comment or go to the bottom of the site to read what other visitors have written.

Fieschi street in central Genoa, with historic buildings, shops and the urban perspective of the road

Photo taken with Canon EOS RP camera and Canon RF 24-50 lens.

Here’s where I took the shot:

Arcades of XX Settembre street in Genoa light

Scorcio dei portici bicolori di via XX Settembre a Genova con palazzi storici e giochi di luce nel centro città

Arcades of XX Settembre street in Genoa light.
Walking through the center of Genoa, or “Zena” as locals call it, I often find myself under the arcades of XX Settembre street, where the two-tone arches create a rhythmic sequence and light filters in between openings. While looking for what to see in Genoa among urban architecture and city views, this street is one of the most recognizable and visually striking.
Every time I pass here, I slow down to notice small details: the columns, the pavements, and the shifting perspectives that stretch along the street until they meet the elegant buildings facing the arcades. It is a passageway, but also a space that invites you to stop, even if just for a moment.
We are in Genoa, Liguria, Italy, and XX Settembre street is one of the main arteries of the modern city center. Here 19th and early 20th century architecture blends with everyday life, creating a balance between function and urban beauty.
I often take many photos here without even realizing it, following how the light changes from one arch to the next. Later I let those images settle and gradually share them on the blog, as if each photograph needs its own time to be told.
In other posts I have shown the more hidden side of Genoa, made of narrow alleys and shadows, but here everything feels more open, linear, almost geometric, and for that reason fascinating in a different way.
An interesting detail is that XX Settembre street was designed between the late 19th and early 20th century as a modern urban axis, meant to combine commercial function and architectural elegance in a single city structure.
Looking at this scene, I realize that some of the strongest images often come from places meant simply for passing through.

Do you ever stop under an arcade just because the light feels right? Add a comment or go to the bottom of the site to read what other visitors have written.

Scorcio dei portici bicolori di via XX Settembre a Genova con palazzi storici e giochi di luce nel centro città

Photo taken with Canon EOS RP and lens Canon EF-S 10-18.

Here’s where the street is:

What is September 20th, the date of Via XX Settembre? On that day in 1870, the Italian army captured Rome after the breach of Porta Pia: it marked the end of the Papal States.
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Portici of Via XX in Genoa between light and buildings – Arcades de via XX à Gênes entre lumière et bâtiments – Pórticos de via XX en Génova entre luz y edificios – Arcadas da via XX em Génova entre luz e edifícios – Arkaden der Via XX in Genua zwischen Licht und Gebäuden – Hành lang Via XX ở Genova giữa ánh sáng và kiến trúc – 热那亚XX街拱廊的光影与建筑 – ジェノヴァのXX通りのアーケードと光

The text of this post was written with the help of ChatGPT, a language model from OpenAI.

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  • Italiano