Lucadea.com - Tag: arcades

12 October 202624 June 2026

Walking under the arcades of Via XX Settembre

Portici di via XX Settembre a Genova con palazzo decorato giallo e autobus che passa tra le colonne

Walking under the arcades of Via XX Settembre.
Walking under the arcades of Via XX Settembre in Genoa is one of those simple experiences that immediately shows what to see in Genoa without going far. This view of Via XX Settembre in Genoa captures both the elegance of the architecture and the everyday rhythm of the city.
I found myself standing between two large columns, almost hidden, watching the sunlight fall across the façade of the building in front of me. The details of the balconies and decorative elements drew my eyes upward, while below, the movement of buses and people reminded me that this is a living, breathing street. It’s a place where the past and present coexist naturally.
This scene is located in Genoa, Liguria, Italy, right in the heart of one of the most important streets in the city. If you are visiting Genoa, Via XX Settembre is definitely one of the most interesting places in Genoa to explore, not only for shopping but for its architecture. The arcades are among the longest in Europe, originally designed to protect pedestrians while enhancing the visual harmony of the street.
While taking this photo, I was reminded of another shot I had shared on my site from a quieter corner under similar arcades. Here, however, everything feels larger and more dynamic, almost like a stage where the columns frame the scene and the street becomes the action.
The passing bus added a contemporary touch to the scene without disrupting its balance. Instead, it highlighted the contrast between historic buildings and modern life, something that makes this street unique.

Have you ever looked up while walking through a busy street and suddenly noticed something you had never seen before? Add a comment or go to the bottom of the site to read what other visitors have written.

Photo taken with Canon EOS R50 V and lens Canon RF 28.

I portici di via XX Settembre a Genova – The arcades of via XX Settembre in Genoa – Les arcades de la via XX Settembre à Gênes – Los soportales de via XX Settembre en Génova – As arcadas da via XX Settembre em Gênova – Die Arkaden der Via XX Settembre in Genua – Các mái vòm của via XX Settembre ở Genoa – 热那亚二十世纪大街的拱廊

The text of this post was written with the help of ChatGPT, a language model from OpenAI.

Add one comment to this article or read here what other visitors have written.

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10 October 202624 June 2026

A glimpse of Chiavari old town streets

Portici del centro storico di Chiavari con palazzi gialli e persiane verdi incorniciati da un arco in primo piano

A glimpse of Chiavari old town streets.
Walking beneath the arcades in the old town of Chiavari is one of those simple experiences that shows you what to see in Chiavari without even trying. This view of Chiavari old town streets, with its colorful buildings and green shutters, feels like a natural introduction to the atmosphere of this coastal town in Liguria.
I paused under the arch almost without thinking, drawn by the way it framed the scene ahead. The curve of the stone created a soft border, guiding my eyes toward the yellow façade across the street. The repetition of windows and shutters gave the composition a quiet rhythm, something I always look for when photographing urban details.
In Chiavari, Liguria, Italy, the old town is not just a place to pass through but one of the most interesting places in Liguria to slow down and observe. If you are visiting this area, these arcades are definitely worth seeing, not only for their aesthetic but for the way they shape daily life. Historically, Chiavari is known for having some of the longest arcades in the region, offering shelter and continuity through centuries of local activity.
As I stood there, I remembered another photo I had taken along these same streets, shared on my site in a different season. The light had changed completely, yet the feeling remained familiar. That’s something I find fascinating: places like this hold their identity no matter the time or conditions.
Cars passing at the edge of the frame added a subtle contrast between past and present. They didn’t ruin the mood; instead, they reminded me that this is not just a preserved setting, but a living town.

Have you ever found yourself stopping for a moment in a place like this, realizing it’s more than just a street? Add a comment or go to the bottom of the site to read what other visitors have written.

Photos taken with Canon EOS R50 V and lens Canon RF 28.

Uno scorcio del centro storico di Chiavari – A glimpse of Chiavari old town – Un aperçu du centre historique de Chiavari – Un rincón del centro histórico de Chiavari – Um vislumbre do centro histórico de Chiavari – Ein Blick auf die Altstadt von Chiavari – Một góc khu phố cổ Chiavari – 基亚瓦里历史中心的一角

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3 October 202625 March 2026

The Papal Basilica of Assisi from the great square

La Basilica di San Francesco dal piazzale di Assisi

The Sacred Convent of Assisi from the large square.
From the large square that opens in front of the Papal Basilica and the Sacred Convent of Saint Francis, Assisi seems to pause for a moment. The photo was taken under the porticoes, at that precise point where the space widens and the gaze can finally breathe. The basilica presents itself without emphasis, with a solid and silent presence, made of light stone and proportions that invite contemplation rather than wonder.
Walking slowly across the square, one has the feeling that this place does not want to amaze but to welcome. The porticoes accompany the steps, creating a natural threshold between the movement of the city and the quietness that is felt as one approaches. The photograph captures this balance: people passing by, light changing on the arches, and the facade remaining there, motionless, as if it had always been part of the human as well as the architectural landscape.
Observing the basilica from this distance, its dual nature emerges. It is a monumental place, recognized throughout the world, but at the same time it retains something profoundly simple. The stone does not impose, it dialogues. The square does not overwhelm, it accompanies. It is a space designed for pausing, for arriving gradually, perhaps even for preparing oneself inwardly before entering.
Here, in the Sacred Convent, Saint Francis rests. The basilica guards his tomb, becoming the point of reference for Franciscan memory. It is not the place of his earthly passing, which took place at the Porziuncola, in the church of Santa Maria degli Angeli, but it is the place that gathers and preserves his symbolic and spiritual presence. In these days, with the official opening of the commemorative year of the passing of the Poor Man of Assisi, this bond becomes even stronger: the memory of his death is intertwined with the place that preserves his body, creating a silent dialogue between Assisi and the plain below.
The photo tells precisely this: not a specific moment, but a continuity. The large square becomes a space of passage, of encounter, of reflection. A place where history doesn’t weigh you down, but accompanies you, and where simply pausing for a moment is enough to feel part of something that goes beyond a mere snapshot.

Have you ever felt the power of a place not by entering it, but simply by standing in front of it? Add a comment or go to the bottom of the site to read what other visitors have written.

Photos taken with a Canon EOS RP camera and a Canon RF 24-50 lens.

To see all the photos of Assisi click here:

Here’s where the basilica is located:

Commissioned by Pope Gregory IX as a special church, it was granted the title of Head and Mother of the Franciscan Order by the same Pontiff and entrusted in perpetuity to the friars. It is part of the non-extraterritorial properties of the Holy See, and therefore does not enjoy diplomatic immunity. In the complex history that has marked the evolution of the Order, the basilica (and the annexed Sacred Convent) was always guarded by the so-called “friars of the community,” the group that later went on to constitute the Order of Friars Minor Conventual.
Continue and learn more on Wikipedia

The Papal Basilica of Assisi from the great square – La basilique papale d’Assise depuis le grand parvis – La Basílica Papal de Asís desde la gran plaza – A Basílica Papal de Assis vista da grande praça – Die Päpstliche Basilika von Assisi vom großen Platz – Vương cung thánh đường Assisi nhìn từ quảng trường lớn – 从大广场眺望阿西西教宗圣殿 – 大広場から望むアッシジの教皇大聖堂

The text of this post was written with the help of ChatGPT, a language model from OpenAI.

21 September 202619 September 2026

Among the Black Arcades of Chiavari in Fenice Square

Vista del Palazzo dai Portici Neri a Chiavari in Piazza Fenice ripreso da vico Emanuele Gonzales tra archi e pietra storica

Among the Black Arcades of Chiavari in Fenice Square.
Stepping into this narrow opening from vico Emanuele Gonzales, I suddenly find myself facing the Palazzo dei Portici Neri in Chiavari, Liguria, Italy, and the view feels almost like a quiet reveal rather than a planned composition. The Palazzo dei Portici Neri immediately anchors the scene, and in this moment the Palazzo dei Portici Neri becomes the reason I pause longer than I expected, studying how stone and shadow interact across its façade.
There is a certain tension between the tightness of the alley and the openness of Piazza Fenice, and this contrast makes the Palazzo dei Portici Neri even more striking. When people search what to see in Chiavari historic center, this building often appears as one of the key landmarks, and standing here it is easy to understand why. The structure feels rooted in the medieval fabric of the town, close to the old walls and castle area, forming part of a dense urban story that has survived centuries.
As I continue to observe, I notice how the dark tones of the arcades give the building its identity, something that locals and visitors alike often mention when describing the Palazzo dei Portici Neri. I remember walking through nearby streets featured in other posts on lucadea.com, where the same atmosphere of layered history quietly returns in different forms.
One interesting detail is that the building’s name is linked to the dark coloration of its porticoes, a feature that makes it stand out within Ligurian architecture and contributes to its strong visual recognition. It is not just an isolated monument but part of a living urban system that still defines the character of Chiavari.

If you are visiting Chiavari and wondering what makes Piazza Fenice special, standing here in front of this palace from such a narrow perspective might be the answer. Have you ever found a place that changes completely just by changing the point of view? Add a comment or go to the bottom of the site to read what other visitors have written.

Photo taken with Canon EOS RP and lens Canon RF 24-50.

Where is the palace:

22 August 2026

The arcades of Garibaldi avenue in Chiavari

Portici e archi di Corso Garibaldi nel centro di Chiavari, tra palazzi più alti e abitazioni

The arcades of Garibaldi avenue in Chiavari.
After photographing Carrugio Dritto, I continued through this part of central Chiavari, which has a somewhat different and, at first glance, more modern character. Here the arcades become broader and the buildings larger, creating a very different urban perspective from the narrower streets and older buildings nearby.
The difference becomes especially noticeable when looking at the buildings along the street. Carrugio Dritto is strongly associated with traditional shops and historic businesses, while Garibaldi avenue has more offices and homes. The buildings also seem larger and taller, perhaps because they belong to a more recent phase of urban development.
That contrast was exactly what I wanted to photograph. There is no need to decide which part is more beautiful. Carrugio Dritto has the charm of its tighter proportions and historic shops, while Garibaldi avenue offers a more spacious scene, with taller arches and arcades that give the street a greater sense of openness.
In this photograph, I wanted to capture that feeling rather than focus on a single architectural detail. The arcades create a continuous sequence along the street, while the arches provide a natural rhythm and perspective. Even without a famous monument in the frame, a repeated architectural element like this can become a very interesting photographic subject.
In Chiavari, Liguria, Italy, arcades are an important part of the character of the central streets. They create a sheltered passage between the buildings and the public space, allowing people to walk along the street with some protection from the weather. This practical function is part of what makes them such an important element of traditional urban architecture.
What I particularly notice here is the change in proportions. The taller arches and larger buildings make Garibaldi avenue feel more open than the Carrugio Dritto. It is not simply a question of building height. The entire relationship between the street, the arcades, and the façades changes, and that is what I wanted the photograph to preserve.
There is also a small architectural curiosity behind the word “arcade” itself. Covered walkways have historically served a very practical purpose, providing shelter from rain and sun while keeping a direct connection between buildings and the street. Over time, that everyday function also became an important part of the architectural identity of many Italian towns.
What I like about Chiavari is that this architecture is not separated from everyday life. The arcades are part of the way people move through the town, alongside shops, homes, offices, and other ordinary activities. They are not simply decorative elements added to make a street look attractive; they are part of how the street works.
I wanted to photograph these arcades because I enjoy comparing different views of the same town. My photograph of Carrugio Dritto shows a more intimate side of Chiavari, closely connected with historic shops and narrow proportions. This image shows another side, with larger buildings and a more spacious architectural rhythm.
If you are looking for what to see in central Chiavari, Garibaldi avenue offers a different perspective from the streets best known for their historic shops. It may not be more interesting, but it is interesting for different reasons: the size of the buildings, the height of the arches, and the continuity of the arcades completely change the way the street feels.
That variety is one of the reasons I enjoy photographing towns like Chiavari. A city is not made only of its most famous corners. The differences between one street and the next can be just as revealing, and sometimes moving only a few steps is enough to find an entirely different perspective.
These arcades have a character of their own. They are less intimate than those around the Carrugio Dritto, taller and more imposing, but those very proportions give this part of Chiavari a different kind of beauty.
This photograph therefore becomes another small part of my personal visual record of Chiavari, alongside the other images I have published from the town center and its architecture. I like having different kinds of photographs together because they gradually create a broader portrait of the city rather than repeating the same familiar view.

Do you prefer the more intimate arcades around Carrugio Dritto, or do you like these wider perspectives along Garibaldi avenue? Add a comment or go to the bottom of the site to read what other visitors have written.

Photo taken with Canon EOS M100 and lens Canon EF-S 10-18.

21 August 2026

Fieschi Square in the village of Varese Ligure

Esplorando la bellezza di Piazza Fieschi a Varese Ligure

Fieschi Square in the village of Varese Ligure.
When I reach the historic centre of Varese Ligure, in Liguria, Italy, this unusual square is one of those places that immediately makes me slow down. Its particular shape, the buildings around it and the covered walkways create a scene that is worth looking at carefully rather than simply passing through.
Fieschi Square is at the heart of the historic village and, if you are wondering what to see in Varese Ligure, it is certainly one of the most interesting places to photograph. Its rounded layout makes it instantly recognisable and gives it a perspective quite different from that of many traditional Italian squares. The colourful houses and arcades following its perimeter make the space feel particularly intimate.
When I took this photograph, I was interested in the combination of all these elements. I was not looking for one particular building, but rather for the overall composition: the closely arranged facades, the openings beneath the arcades and the unusual geometry of the square. It is the kind of scene that can easily attract my attention when I am walking through a small historic village with my camera.
Varese Ligure lies inland in the Province of La Spezia, away from the coastal landscapes usually associated with Liguria. That is one of the things I find particularly interesting about the village. Here the region shows a different character, made up of valleys, mountains, historic settlements and architecture shaped by the life of the inland communities.
Fieschi Square is also known as Round Square because of its distinctive layout. Its history is connected with the Fieschi family, one of the important aristocratic families of Genoa, who played a significant role in the history of this area. That small historical detail is enough to understand why such an unusual square became one of the symbols of Varese Ligure without turning the photograph into a history lesson.
What I particularly enjoy photographing here is the perspective. The buildings seem to guide the eye around the perimeter, while the arcades create a succession of openings, architectural details and sheltered passages. Even without searching for a spectacular composition, there are plenty of viewpoints to discover.
The square is also a good example of how architecture can become part of a village’s identity. It is not simply an open space surrounded by buildings. Its shape influences the way people move through the centre and the way the village is perceived. Walking inside it, I get the feeling of being almost enclosed by the buildings that define its unusual outline.
This photograph also connects with another image I published on the blog, showing the houses of Varese Ligure from the Grecino bridge above the Vara River. The two photographs offer very different perspectives, but both show a side of the village that goes beyond the most obvious views.
For me, this is one of the pleasures of photographing small places such as Varese Ligure. You do not need a monumental landmark to find something worth capturing. A square, a house, an arcade or a small architectural detail can be enough to preserve the memory of a walk.
Fieschi Square remains one of the places I would immediately associate with Varese Ligure. Its compact atmosphere, unusual shape and architectural details make it an especially rewarding subject for photography, particularly when I take the time to slow down and let the details suggest the composition.

Have you ever visited Varese Ligure and seen the unusual shape of Fieschi Square for yourself? Add a comment or go to the bottom of the site to read what other visitors have written.

Photo taken with a Canon EOS M100 camera and Canon EF-M 11-22 lens.

If you want to see all the photos taken in Varese that afternoon—as well as previous ones—click here:

13 August 202613 August 2026

Arcades and a quiet street in Reggio Emilia center

Strada con portici e palazzi colorati nel centro di Reggio Emilia con persone e biciclette su asfalto bagnato

Arcades and a quiet street in Reggio Emilia center.
The wet asphalt softly reflects the warm tones of the buildings, while the street stretches ahead like a calm line inviting me to walk without any rush. The arcades guide my gaze, creating a rhythm of arches and shadows that repeat naturally along the center of Reggio Emilia. There is no need to look for something extraordinary; everything is already there, in the way the city lets itself be crossed.
I move slowly, noticing closed windows, tilted shutters, and small details that hint at a quiet daily life. The arcades are not just an architectural feature but a constant presence, almost protective. I realize that even the people passing by seem to adapt to this space: some walk close to the walls, others move along the edge of the street, while a bicycle passes through the scene with effortless ease.
The center of Reggio Emilia has a discreet character, one that doesn’t try to stand out loudly. The colors of the buildings, shifting between orange and yellow, seem softened by the even light, and for that very reason they feel more harmonious. It is a kind of beauty that does not demand attention but slowly reveals itself the longer you look.
An interesting detail that often goes unnoticed is that arcades in Emilia-Romagna cities were also designed for practical reasons: to provide shelter from rain and sun, allowing people to use the streets in every season. Here in Reggio Emilia, this idea is clearly visible, as if public space was meant to remain accessible at all times without interruption.
I stand still for a few seconds before taking the shot. The street is simple, but precisely because of that, it feels honest. I am not searching for a perfect scene, just a balance between lines, colors, and human presence. When I finally press the shutter, it feels like I’ve captured something ordinary that often goes unnoticed.

Have you ever found something special in what first seemed like an ordinary street? Add a comment or go to the bottom of the site to read what other visitors have written.

Photo taken with Canon EOS RP and Canon RF 24-50 lens.

To see all the photos I took in the city, click here:

8 August 2026

The arcades of XX Settembre Street in Genoa

Portici di via XX Settembre nel centro di Genova, con colonne e archi decorati in pietra bianca e nera

The arcades of XX Settembre Street in Genoa.
Among the things worth seeing in central Genoa, the arcades of XX Settembre Street are one of those places that always make me slow down. In the heart of Genoa, Liguria, Italy, I have walked along this street many times and I still cannot resist photographing its arcades, especially this particular section, which I consider the most beautiful, with its columns and arches decorated in contrasting white and black stone.
XX Settembre Street is one of the main streets in the city center, and walking along it means passing through a very recognizable part of modern Genoa. For me, however, the real attraction is found beneath the arcades. As you walk between the arches, the perspective keeps changing, while the columns create a repeating sequence that almost seems to invite you to look for the next composition.
This particular section is my favorite. The columns, arches and black-and-white stone decoration create a very precise rhythm, especially when seen one after another. There is no need to add another subject to the frame. The architecture itself, together with the perspective, is enough to create the photograph.
Something similar happens almost every time I pass here. I may have photographed the same spot several times already, but sooner or later I still find myself reaching for my camera. A slightly different position, distance or framing can make the same arcades look surprisingly different.
That is one of the things I enjoy most about urban photography. A familiar place does not necessarily become boring simply because you have already seen it. In fact, returning to the same location often makes you notice details that were previously lost in the background.
The contrasting white and black stone is probably the feature that makes this view so recognizable. The alternation is not merely decorative; it gives the architecture a strong visual rhythm and creates an effective contrast in photographs. Here, I wanted the columns and arches to lead the eye through the depth of the image.
One small historical detail about XX Settembre Street is that it was developed between the late nineteenth and early twentieth centuries as part of the major urban transformation of this area of Genoa. The street was named after September 20, 1870, the date associated with the capture of Rome through the breach at Porta Pia and a key moment in the completion of Italian unification.
If you are looking for things to see in Genoa from an architectural point of view, the arcades of XX Settembre Street are an interesting subject without even leaving the city center. For anyone who enjoys photographing perspectives, columns and architectural details, this street offers plenty of possibilities simply by walking and paying attention to how the view changes.
I wanted to capture with my camera the section that I personally consider the most beautiful. Not because it is necessarily the only interesting part, but because it is the one that repeatedly makes me look up, follow the perspective of the arcades and take another photograph before continuing my walk.
This photograph also connects naturally with other posts on my site dedicated to Genoa and its architectural details. I enjoy documenting the city through these everyday views because they create a personal record that goes beyond the landmarks most commonly photographed.
In the end, this image comes from a very simple habit: walking along XX Settembre Street, seeing those columns and arches once again and thinking that they are worth photographing one more time. Some places become so familiar that they eventually become part of our own photographic memory.

Do you have a favorite section of XX Settembre Street that you find more beautiful than the others? Add a comment or go to the bottom of the site to read what other visitors have written.

Photo taken with camera Canon EOS M100 and lens Canon EF-S 10-18.

Here’s where the street is:

What is September 20th—the date behind the many streets named “Via XX Settembre”? On that day in 1870, the Italian army captured Rome following the breach at Porta Pia; it marked the end of the Papal States.
Read more at Il Post

1 August 2026

Mazzini Square in Chiavari among arcades and palaces

Piazza Mazzini a Chiavari con portici, palazzi storici e statua di Giuseppe Mazzini

Mazzini Square in Chiavari among arcades and palaces.
Walking through the center of Chiavari, I stopped to observe one of the city’s most recognizable places: Mazzini Square, also known as the “Cabbage Square” because of its long tradition as the location of the morning fruit and vegetable market. This photograph comes from my attention to the details of this place, from the elegant arcades to the historic buildings that define the character of the square.
I wanted to capture this view with my camera because, beyond the statue dedicated to Giuseppe Mazzini, it was mainly the architecture that caught my attention. The arcades surrounding the square create a pleasant visual rhythm and tell the story of a traditional way of experiencing urban spaces in Liguria, where walking, commerce and everyday life have been connected for centuries.
Mazzini Square is located in the historic center of Chiavari, in the Metropolitan City of Genoa, Liguria, Italy, and it is one of the places worth seeing when visiting Chiavari. Today it remains an important meeting point for the local community, thanks to its historic buildings, shops and the atmosphere created by its streets and arcades.
In the center of the square stands the monument dedicated to Giuseppe Mazzini, placed there in 1888 and created by sculptor Augusto Rivalta. The statue celebrates one of the most important figures of the Italian Risorgimento and gives the square its current name.
A small curiosity about the place is its nickname “Cabbage Square”. It comes from the historic vegetable market that took place here for many years, creating a strong connection between the square and the daily life of local residents.
Chiavari also has a special connection with nineteenth-century Italian history. The city is often remembered for its links with important figures of the Risorgimento, including Giuseppe Garibaldi, Giuseppe Mazzini and Nino Bixio, through the origins of their families.
What I like about this photograph is the balance between historical memory and everyday life. This is not only a square to admire, but a living space where traces of the past remain visible while the city continues to move forward.
This image naturally connects with other photographs I have shared about Chiavari and the Tigullio area, where I often try to show not only famous places but also the corners that are part of everyday life.

Have you ever walked under Chiavari’s arcades and stopped to look at the historic buildings around Mazzini Square? Add a comment or go to the bottom of the site to read what other visitors have written.

Photo taken with a Canon EOS M100 camera and Canon EF-S 10-18 lens.

The architectural layout remained unchanged until the late 16th century; from that time onwards, new aristocratic palaces were built within the walls in the contemporary Renaissance style. The adoption of this new architectural style was most evident along the main streets—Via Ravaschieri and Via Stefano Rivarola—where palaces were erected or remodeled to closely resemble buildings found in Genoa. Starting in 1648 (or possibly 1646), it held the title of “City,” granted by the Republic of Genoa.
Read more on Wikipedia

30 July 2026

Vittorio Veneto Street in Chiavari under the arcades

Via Vittorio Veneto a Chiavari con portici, strada pedonale e palazzi del centro storico ligure

Vittorio Veneto Street in Chiavari under the arcades.
Walking through the historic centre of Chiavari, I captured with my camera a view of Vittorio Veneto Street, one of the most recognisable streets of this Ligurian town, where long arcades accompany the walk and create a unique relationship between buildings and everyday life. This photograph of Vittorio Veneto Street in Chiavari comes from my attention to those simple urban details that often reveal the true character of a place.
The historic centre of Chiavari, Liguria, Italy, preserves an organised structure made of elegant buildings, pedestrian streets and long covered walkways that have shaped the life of the town for generations. Vittorio Veneto Street in Chiavari represents the eastern part of a long pedestrian route crossing much of the old centre, continuing naturally from Martiri della Liberazione Street on the western side.
In Liguria, these historic streets are often called caruggi, although every town gives them a different appearance. In Chiavari, the route is wider and more regular compared with the narrow alleys found in other Ligurian villages, but it still maintains the intimate feeling of a place where walking allows visitors to discover the rhythm of local life.
I took this photograph because I wanted to preserve this atmosphere: a street where the pace slows down, where the arcades create a continuous perspective and where every doorway, shop and architectural detail becomes part of the story of the historic centre. I was not looking for a dramatic landmark, but for an authentic fragment of everyday Chiavari.
If you are visiting Chiavari, this is one of the places worth seeing because the historic centre offers a different experience from coastal viewpoints. Walking along Vittorio Veneto Street allows you to discover the connection between architecture, local traditions and the daily habits of the people who live there.
A historical curiosity about Chiavari’s arcades is that they were created not only as an architectural feature but also as a practical solution to protect pedestrians and support commercial activities. Today they remain one of the most distinctive elements of the town.
This photograph connects with other stories on my blog dedicated to Ligurian towns and villages, where I often focus on ordinary streets and small details rather than only famous locations. These everyday paths are often where the identity of a place becomes easier to understand.
Vittorio Veneto Street in Chiavari may appear like a simple pedestrian road, but behind its arcades there is the story of a community, its traditions and its relationship with urban spaces.

Have you ever discovered the personality of a town simply by walking along its main street? Add a comment or go to the bottom of the site to read what other visitors have written.

Photo taken with Honor 20.

Where is the street:

Vittorio Veneto is an Italian municipality with a population of 26,989, located in the province of Treviso in the Veneto region. The battle of the same name was fought there during the Great War; the Italian army’s victory over the Austro-Hungarian forces resulted in the Austrian surrender and the end of the war.
Read more on Wikipedia